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Agnosco Veteris, Nina C. Young

February 2, 2023 By Cory Balon

nina-c-young“In book IV of Virgil’s Aeneid, Dido, long in grief over her late husband Sychaeus’s death, is suddenly awakened from emotional slumber by the visiting Trojan hero Aeneas. In an upheaval of emotion, she proclaims, ‘Agnosco veteris vestigia flammae,’ or ‘I recognize the traces of an ancient fire.'”

“The quote resurfaces in Dante’s Divine Comedy. The overarching allegory of this epic poem traces themes of Dante’s spiritual quest through symbolism. Dante, guided by Virgil, achieves literary immortality through the act of storytelling that appropriates and amalgamates references to antiquity, classical literature, mythology, Christianity, and (then) contemporary Italian politics. In Purgatorio 30, Dante feels the presence of Beatrice and matches his emotional upheaval to that of Dido. Dante makes a final tribute to Virgil by stating, ‘conosco i segni de l’antica fiamma’ – an Italian translation of the Latin ‘Agnosco veteris vestigia flammae.’”

[. . .]

“Dante appropriates explicit cultural references and symbols as a tool to weave the narrative of the Divine Comedy. However, when I was collecting the source material for Vestigia Flammae, I abandoned explicit quotation. Rather, I tried my hand at writing imagined faux folk, modal, and fanfare-like source-music that could be mistaken for something pre-existing.”

“While episodic in construction, Agnosco Veteris is divided into three large sections. Part 1, the “Music of Before” presents the thematic source material, or sonic memories. Part 2, the “Music of Ritual” is a static reflective checkpoint during which the listener can consider the musical recollections that came before. Part 3, the “Music of After” is characterized by energetic renewal and presents a reconfigured collage of the musical material.”    -Nina C. Young
Listen to Agnosco Veteris here.

Categories: Music
Tagged with: 2015, Aeneid, Beatrice, Composers, Emotions, Memory, Spirituality, Symbolism, Time, Virgil

Danielius Sodeika “Midway Upon the Journey of Our Life…”

February 2, 2023 By Cory Balon

danielius-sodeika

“Artworks of Danielius Sodeika are self-purposed. He doesn‘t make them for himself nor others. They appear to be more like questions leaning towards, like the way to check up if the impulse of the vector has continuance.”

“Small-scale sculptural objects from wood, metal, household elements or findings. With their form they remind religious, cultural or archetypal symbols. Storyline is more than in the objects themselves, but also in the spaces between – as signs of invisible power – that tightens chain and breaks the log. Probably it is artist’s way to speak about finality and inevitable entropy – because when it comes – it dominates over all demolishes all other meanings.”

Explore Danielius Sodeika’s exhibit here.

“Midway upon the journey of our life I found myself a forest dark, For the straightforward pathway had been lost.”    -Dante Alighieri

 

Categories: Visual Art & Architecture
Tagged with: 2021, Abstract Art, Art History, Artists, Exhibitions, Exhibits, History, Journey, Lithuania, Silence, Symbolism

Gentlebrand Wine Features Illustrations of The Divine Comedy

December 31, 2021 By Sephora Affa, FSU '24

three-curtai-wine-bottles-with-commedia-illustrations

“Gentlebrand will mark the 700th anniversary of Dante Alighieri’s death with a special edition wine range, called Curtai, which features illustrations on the packaging to take consumers on ‘a journey to discover The Divine Comedy.'”

“Curtai will include three different wines to symbolize the three realms visited in Dante’s infamous work – Hell, Purgatory, and Paradise – and acknowledge the number’s frequent presence in the author’s verses. The wines themselves are intended as a journey through the traditional tastes of wines local to the Friuli region in north-eastern Italy; the name Curtis is reportedly linked to the Friulian dialect.” [. . .]    —Packaging Europe, December 2, 2021

Categories: Consumer Goods, Dining & Leisure
Tagged with: 2021, 700th anniversary, Friuli, Illustrations, Journeys, Lucifer, Symbolism, Wines

Beatrice’s Eyes and Beauty in The Divine Comedy

June 10, 2021 By Professor Arielle Saiber

“A scholarly essay published in VoegelinView describing the symbolism of Beatrice’s eyes in The Divine Comedy. The essay also has a few references to how such symbolism, and the role of Beatrice in general, are relevant to us today.”    –Darrell Falconburg, VoegelinView, December 22, 2020

Categories: Written Word
Tagged with: 2020, Beatrice, Eyes, Paradise, Purgatory, Symbolism, Vision

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.

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