Read the journal article here.
Agnosco Veteris, Nina C. Young
“In book IV of Virgil’s Aeneid, Dido, long in grief over her late husband Sychaeus’s death, is suddenly awakened from emotional slumber by the visiting Trojan hero Aeneas. In an upheaval of emotion, she proclaims, ‘Agnosco veteris vestigia flammae,’ or ‘I recognize the traces of an ancient fire.'”
“The quote resurfaces in Dante’s Divine Comedy. The overarching allegory of this epic poem traces themes of Dante’s spiritual quest through symbolism. Dante, guided by Virgil, achieves literary immortality through the act of storytelling that appropriates and amalgamates references to antiquity, classical literature, mythology, Christianity, and (then) contemporary Italian politics. In Purgatorio 30, Dante feels the presence of Beatrice and matches his emotional upheaval to that of Dido. Dante makes a final tribute to Virgil by stating, ‘conosco i segni de l’antica fiamma’ – an Italian translation of the Latin ‘Agnosco veteris vestigia flammae.’”
[. . .]
“Dante appropriates explicit cultural references and symbols as a tool to weave the narrative of the Divine Comedy. However, when I was collecting the source material for Vestigia Flammae, I abandoned explicit quotation. Rather, I tried my hand at writing imagined faux folk, modal, and fanfare-like source-music that could be mistaken for something pre-existing.”
Elizabeth Gilbert, Eat, Pray, Love (2006)
“The Italian we speak today, therefore, is not Roman or Venetian (though these were the powerful military and merchant cities) nor even really entirely Florentine. Essentially, it is Dantean. No other European language has such an artistic pedigree. And perhaps no language was ever more perfectly ordained to express human emotions than this fourteenth-century Florentine Italian, as embellished by one of Western civilization’s greatest poets. Dante wrote his Divine Comedy in terza rima, triple rhyme, a chain of rhymes with each rhyme repeating three times every five lines, giving his pretty Florentine vernacular what scholars call a ‘cascading rhythm’ –a rhythm which still lives in the tumbling, poetic cadences spoken by Italian cabdrivers and butchers and government administrators even today. The last line of the Divine Comedy, in which Dante is faced with the vision of God Himself, is a sentiment that is still easily understandable by anyone familiar with so-called modern Italian. Dante writes that God is not merely a blinding vision of glorious light, but that He is, most of all, l’amor che move sole e l’altre stelle. . .
“‘The love that moves the sun and the other stars.’
“So it’s really no wonder that I want so desperately to learn this language.”
– Elizabeth Gilbert, Eat, Pray, Love (2006)
“Beauty Awakens the Soul to Act,” Painting by Luciana Palazzolo (2018)
“Black shapes dance across the large paper surface. The texture and viscosity is not homogeneous, because this way I was able to plays with transparency and opaqueness.The close ups show that some areas have the acrylic paint diluted in an almost watercolor. Also I have used pencils of different hardness to draw the lines. This painting can be enjoyed horizontally or vertically. It would be shipped to the collector rolled up in a tube, which would cut down considerably the shipping cost.” –“About the Artwork,” Saatchi Art
“I produced a Dante’s Inferno series, a Joy series influenced by the work of Pollock, at the moment I am working on an Entanglement theme, where the line represent our lives, the paths that we have taken or could have taken. The lighter pencil marks are choices we didn’t make, the darker ink ones the decisions we made and marks we made on people and events.” –From Luciana Palazzolo’s profile on Saatchi Art
View more works by Luciana Palazzolo here.
“The Love That Moves The Sun and Other Stars” (2015)
“Today I invite you to reflect on these final lines of Dante’s Divine Comedy. I would recommend reading them many times, contemplating what it must be like to experience the presence of God through the heavenly beatific vision.
“According to Boethius, love works like physics. It’s an elemental force. In fact, desire (eros) is an animating impulse that governs the entire universe, moving the sun and all the stars.
[. . .]
“God’s love is true love precisely because God knows we have the ability to spurn that love. Otherwise, grace changes from gift to entitlement. Love isn’t love until you give it away! This sort of love, in the final analysis, is the reason why a totally sufficient and perfect God would create something else and allow it to participate in him. If you find yourself suffering today – from end-of-semester stress, work problems, or anything else – try to remember that the source and summation of your created existence is to love. This love is necessarily a movement outside of self, a movement that ultimately affirms your identity in a new and revelatory reality. In this reality, ‘our image fuses/Into the circle and finds its place in it.'” –Benjamin Winter, “The Love that Moves the Sun and the Other Stars,” Conciliar Post, April 17, 2015
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