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Citings & Sightings of Dante's Works in Contemporary Culture

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Paterson (2016 film)

June 6, 2023 By Professor Elizabeth Coggeshall

“Paterson (dir. Jim Jarmusch, 2016) is an Amazon Prime original film about a bus driver named Paterson (Adam Driver) who writes poetry in his free times and on his breaks from work, though his only audience for them is his wife Laura (Golshifteh Farahani). The movie follows the bus driver/poet on a weeklong journey of everyday experiences, watching him observe the sights, sounds, and people of the town of Paterson, New Jersey. During the first day, the film shows Paterson sitting down to eat his lunch which was packed by his wife, and shows that she had put a Dante Alighieri postcard in it, which he looks at and acknowledges verbally before eating his lunch and writing his own poetry.”   –Contributor Robert Alex Lee

Contributed by Robert Alex Lee (Florida State University, MA 2024)

Categories: Performing Arts
Tagged with: Films, Journeys, Love, Movies, New Jersey, Poetry, United States

ChatGPT’s poem on Dante’s Idea of Satan

December 17, 2022 By Professor Arielle Saiber

ChatGPT: Optimizing Language Models for Dialogue

 

(From the website): “We’ve trained a model called ChatGPT which interacts in a conversational way. The dialogue format makes it possible for ChatGPT to answer followup questions, admit its mistakes, challenge incorrect premises, and reject inappropriate requests. ChatGPT is a sibling model to InstructGPT, which is trained to follow an instruction in a prompt and provide a detailed response.”

For the prompt “Write a poem about Dante’s idea of Satan” (Dec. 2022), here is what resulted:

Dante’ Satan, a creature of pure despair
trapped in the icy lake, a prison of his own
his wings frozen, his body writhing in despair
A symbol of the ultimate betrayal
A traitor to his God, his kin, his kind
His punishment a fitting end for one so cruel.
But even in his misery he is not alone
for with him in the lake, his fellow demons lie
Their bodies frozen, their spirits doomed to roam.
Oh, how terrible, this fate that Dante sees
A creature of such power, now reduced to this
A symbol of the darkness that lies within
Dante’s Satan, a warning to us all
Of all the dangers of pride, of ego, and of sin.

(Contributed by Jack Pangaro, Johns Hopkins University, ’25)

Categories: Digital Media, Written Word
Tagged with: 2022, A.I., GPT, Inferno, Inferno 33, Language, Poetry, Satan

Edward Hirsch, Big Think Interview (2010)

December 2, 2022 By Cory Balon

edward-hirsch

“There’s been no poet, no great poet in the history of poetry who hasn’t also been a great reader of poetry. This is sometimes distressing to my students when I tell them this. Now, I do say, ‘It’s possible. You might be the first. I’m not saying it’s impossible, but the odds are very much against you.’ All great poets have been great readers and the way to learn your craft in poetry is by reading other poetry and by letting it guide you.

“A great model for this is the way that Dante calls on Virgil at the beginning of The Inferno, The Divine Comedy, to help guide him through the underworld. And, in a way, that’s also a recognition that Dante needs Virgil and that the Inferno needs the Aeneid and that the epic needs a model and that for Dante to write this great poem he needs someone to come before him and he turns to Virgil’s text, especially book six where Aeneas goes down into the underworld. And for me, that’s a model of the poet’s relationship to previous poetry, to another poetry as calling out for guidance.”   –Edward Hirsch, Interview in Big Think (2010)

Edward Hirsch is the current president of the John Simon Guggenheim Memorial Foundation and a chancellor of the Academy of American Poets. Watch his full interview for Big Think here.

Categories: Digital Media, Written Word
Tagged with: 2010, Aeneid, Dark Wood, Epic Poetry, Guides, Inferno, Interviews, Journeys, Poetry, Poets, Reading, Selva oscura, Virgil

Eugenio Montale, Nobel Lecture (1975)

October 28, 2022 By Cory Balon

eugenio-montale“It has often been observed that the repercussion of poetic language on prose language can be considered a decisive cut of a whip. Strangely, Dante’s Divine Comedy did not produce a prose of that creative height or it did so after centuries. But if you study French prose before and after the school of Ronsard, the Pléiade, you will observe that French prose has lost that softness for which it was judged to be so inferior to the classical languages and has taken a veritable leap towards maturity. The effect has been curious. The Pléiade does not produce collections of homogeneous poems like those of the Italian dolce stil nuovo (which is certainly one of its sources), but it gives us from time to time true ‘antique pieces’ which could be put in a possible imaginary museum of poetry.”  –Eugenio Montale, Nobel Prize in Literature Lecture (1975)

Read the full lecture here.

Categories: Written Word
Tagged with: 1975, Italian Poetry, Lectures, Literature, Nobel Prize, Poetry, Poets, Speeches

Aamo Lieko, A Beastly Comedy (2021)

June 12, 2022 By Professor Elizabeth Coggeshall

“A poetic journey through contemporary mindscapes, A Beastly Comedy is a modern, independent sequel to Dante’s epic. From visions of despair to scientific pursuits and sensual pleasures, the story is a quest for morals and meaning in a world of doubt.

“The modern day pilgrim is guided from ignorance to understanding by Dante, himself disillusioned to not have reached paradise, while images of hell torment and corrupt any seeker of wisdom who must ask when punishments deemed just are just another evil.

“By turns dark and ecstatic, visceral and romantic, the distinct parts of the poem – The Underworld, The Sea of Science, and The Mountain of Arts – chart the wide range of approaches used in seeking knowledge, purpose, and happiness. While suffering is common and numbness seems like salvation, the poem is a testament to human curiosity, resilience, and capacity for love.”    —Amazon.com

A Beastly Comedy is envisioned as a modern sequel to Dante’s work. An epic poem in English, it imitates the structure of Dante’s original poem, comprised of 100 cantos composed in terza rima, resulting in 14,500 verses in modified iambic heptameter.

Categories: Written Word
Tagged with: 2021, Epic Poetry, Finland, Gemma Donati, Journeys, Literature, Love, Poetry, Terza Rima

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.

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