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Edward Hirsch, Big Think Interview (2010)

December 2, 2022 By Cory Balon

edward-hirsch

“There’s been no poet, no great poet in the history of poetry who hasn’t also been a great reader of poetry. This is sometimes distressing to my students when I tell them this. Now, I do say, ‘It’s possible. You might be the first. I’m not saying it’s impossible, but the odds are very much against you.’ All great poets have been great readers and the way to learn your craft in poetry is by reading other poetry and by letting it guide you.

“A great model for this is the way that Dante calls on Virgil at the beginning of The Inferno, The Divine Comedy, to help guide him through the underworld. And, in a way, that’s also a recognition that Dante needs Virgil and that the Inferno needs the Aeneid and that the epic needs a model and that for Dante to write this great poem he needs someone to come before him and he turns to Virgil’s text, especially book six where Aeneas goes down into the underworld. And for me, that’s a model of the poet’s relationship to previous poetry, to another poetry as calling out for guidance.”   –Edward Hirsch, Interview in Big Think (2010)

Edward Hirsch is the current president of the John Simon Guggenheim Memorial Foundation and a chancellor of the Academy of American Poets. Watch his full interview for Big Think here.

Categories: Digital Media, Written Word
Tagged with: 2010, Aeneid, Dark Wood, Epic Poetry, Guides, Inferno, Interviews, Journeys, Poetry, Poets, Reading, Selva oscura, Virgil

Joshua Mohr on his novel Fight Song (2013)

October 28, 2022 By Cory Balon

joshua-mohrIn an interview with Royal Young, Josh Mohr describes the research he did in San Francisco, as he prepared to write his novel Fight Song (Soft Skull Press, 2013): “I did four days of terrible reconnaissance work, where I went to a couple suburbs in the East Bay and South Bay and took some pictures and notes. Then I wrote the most horrific place I could possibly envision. If Dante was writing The Divine Comedy in 2013, he might very well have set part of it in the suburbs.”   —Joshua Mohr, interview with Interview Magazine (2013)

Read the full interview here.

 

Categories: Digital Media, Written Word
Tagged with: 2013, Authors, California, Hell, Inferno, Interviews, Novelists, San Francisco, Suburbs, United States

An imaginary interview with Dante on the ills of today’s world (2021)

March 27, 2021 By Professor Arielle Saiber

Ritratto di Dante Alighieri di Attilio Roncaldier (1801-1884) Ravenna, Museo Dantesco

“Signor Alighieri, è un onore poter scambiare alcune battute con lei all’inizio di questo 2021 in cui si celebrerà la ricorrenza dei 700 anni dalla sua morte. Ci saranno convegni, festival, ma ahimè mi tocca dirle che tutto avverrà sotto l’incognita di una pandemia. “Uhm… Mentre scrivevo la cantica terza de la Commedia, un’immagine mi turbò: vedevo la terra, da lontano. Era come una picciola aiuola, che ci fa però così feroci…”  –Stefano Massini, La Repubblica, March 24, 2021

Categories: Written Word
Tagged with: 2021, 700th anniversary, Interviews, Italy

Teodolinda Barolini interview in Corriere della Sera (May 2020)

June 18, 2020 By Professor Elizabeth Coggeshall

In May 2020, Paolo di Stefano interviewed Teodolinda Barolini for the Corriere della Sera, on how and why to read Dante in the 21st century. Below, an excerpt from the interview, which can be read in full here:

Corriere: “Secondo lei quale aspetto di Dante può affascinare di più un lettore giovane del nostro tempo?”

Barolini: “Il fatto che Dante è un uomo che ha voglia di capire, come Ulisse. Mentre Virgilio nel II libro dell’Eneide squalifica Ulisse come fraudolento, Dante trova il lato positivo di Ulisse in Orazio e soprattutto in quella bellissima espressione di Cicerone che, nel De finibus, definisce la sua discendi cupiditas. Il Convivio comincia con la frase di Aristotele: ‘Tutti li uomini naturalmente desiderano di sapere.’ Ecco, è la brama di sapere il vero motore di Dante.”

Corriere: “Come leggere Dante a scuola?”

Barolini: “Il modo più utile è prendere il testo alla lettera. Basterebbe far leggere ai ragazzi il racconto, avendo fiducia nella narratività della Commedia. Io mi dispero quando arrivo a Petrarca per far capire ai giovani quanto siano squisite quelle poesie, questo sì è un problema. Ma non ci si può disperare di fronte alla Commedia che è un grande motore narrativo che trascina tutti con sé.”   — “Dante, un ribelle. Ora leggiamolo.” Interview of Teodolinda Barolini by Paolo di Stefano. Corriere della Sera (May 31, 2020)

Categories: Written Word
Tagged with: 2020, Dantedì, Interviews, Italy, News, Ulysses

Alison Cornish and Stefano Albertini on Dantedì 2020

April 10, 2020 By Professor Elizabeth Coggeshall

In recognition of the first annual Dantedì (March 25, 2020), the director of NYU’s Casa Italiana Zerilli-Marimò, Stefano Albertini, interviewed Alison Cornish, Chair of the Department of Italian Studies at NYU and Acting President of the Dante Society of America. They conducted the interview virtually, during shelter-at-home orders resulting from the 2020 Covid-19 pandemic.

Reflecting on her experience teaching Purgatorio during the pandemic, Cornish comments that Purgatorio is “about community after traumatic separation” (7:34), a community that is recreated through shared cultural rites like liturgy and song, forms of virtual embrace, and collective suffering.

The interview is available to view on YouTube (last accessed April 10, 2020). The comments on Purgatorio can be heard at 6:00-15:34.

Categories: Written Word
Tagged with: 2020, America, Covid-19, Dantedì, Interviews, New York, Purgatorio, Universities

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Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.

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