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Edward Hirsch, Big Think Interview (2010)

December 2, 2022 By Cory Balon

edward-hirsch

“There’s been no poet, no great poet in the history of poetry who hasn’t also been a great reader of poetry. This is sometimes distressing to my students when I tell them this. Now, I do say, ‘It’s possible. You might be the first. I’m not saying it’s impossible, but the odds are very much against you.’ All great poets have been great readers and the way to learn your craft in poetry is by reading other poetry and by letting it guide you.

“A great model for this is the way that Dante calls on Virgil at the beginning of The Inferno, The Divine Comedy, to help guide him through the underworld. And, in a way, that’s also a recognition that Dante needs Virgil and that the Inferno needs the Aeneid and that the epic needs a model and that for Dante to write this great poem he needs someone to come before him and he turns to Virgil’s text, especially book six where Aeneas goes down into the underworld. And for me, that’s a model of the poet’s relationship to previous poetry, to another poetry as calling out for guidance.”   –Edward Hirsch, Interview in Big Think (2010)

Edward Hirsch is the current president of the John Simon Guggenheim Memorial Foundation and a chancellor of the Academy of American Poets. Watch his full interview for Big Think here.

Categories: Digital Media, Written Word
Tagged with: 2010, Aeneid, Dark Wood, Epic Poetry, Guides, Inferno, Interviews, Journeys, Poetry, Poets, Reading, Selva oscura, Virgil

Aamo Lieko, A Beastly Comedy (2021)

June 12, 2022 By Professor Elizabeth Coggeshall

“A poetic journey through contemporary mindscapes, A Beastly Comedy is a modern, independent sequel to Dante’s epic. From visions of despair to scientific pursuits and sensual pleasures, the story is a quest for morals and meaning in a world of doubt.

“The modern day pilgrim is guided from ignorance to understanding by Dante, himself disillusioned to not have reached paradise, while images of hell torment and corrupt any seeker of wisdom who must ask when punishments deemed just are just another evil.

“By turns dark and ecstatic, visceral and romantic, the distinct parts of the poem – The Underworld, The Sea of Science, and The Mountain of Arts – chart the wide range of approaches used in seeking knowledge, purpose, and happiness. While suffering is common and numbness seems like salvation, the poem is a testament to human curiosity, resilience, and capacity for love.”    —Amazon.com

A Beastly Comedy is envisioned as a modern sequel to Dante’s work. An epic poem in English, it imitates the structure of Dante’s original poem, comprised of 100 cantos composed in terza rima, resulting in 14,500 verses in modified iambic heptameter.

Categories: Written Word
Tagged with: 2021, Epic Poetry, Finland, Gemma Donati, Journeys, Literature, Love, Poetry, Terza Rima

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.

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