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Citings & Sightings of Dante's Works in Contemporary Culture

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“Beauty awakens the soul to act,” a letter to an editor (Chico, CA)

November 25, 2022 By Sebastian Spadavecchio

“I love this Dante Alighieri quote: ‘Beauty awakens the soul to act.’

“A few months ago, a friend of the Jesus Center offered a gift of a person, Shannon McConney to use her creative gifts to complete the beauty part of the Jesus Center space. I realized quickly that Shannon was not merely a decorator, but an artist so I introduced her to my good friend, Jess Mercer (known for her work in therapeutic arts and installations up on the Ridge). Well, magic quickly followed.

“Together they have designed, created, crafted, and installed an interactive art piece in our women’s multipurpose room where we hold most of our classes for the entire shelter population. When someone comes into our space, we want them to experience something other than rules, walls, doors, windows, and a safe place to store their things.

“Those are all great, but what is emerging here on Fair Street is art, words, color, texture, interactive elements that will awaken together with the handmade quilts, warm welcome, beautiful meals a human to act on their own behalf to find a pathway to their best life. This wall of 400 tiny houses will serve to awaken the imagination of those who may still be stuck in the darkness that comes when all hope is lost. As they choose to write their name and put it on one of the little houses, they are allowing themselves to dream of a life blessed by God and full of goodness and beauty.”   –Laura Cootsona, Letter to the Editor, Chico Enterprise-Record, December 11, 2021

Categories: Written Word
Tagged with: 2021, Art, Beauty, Beauty Awakens the Soul to Act, California, Chico, God, Installation Art, Letters, Newspapers, United States

Maurice Pefura, The Silent Way (2013)

April 21, 2022 By Sephora Affa, FSU '24

birds-eye-view-of-installation-three-rings-of-white-sheets-positioned-like-dominoes

“The spectator is invited to enter, to move through this bright, white virginal structure and to slowly discover that on the surface of the sheets, printed in white on white, there are lines taken from the Cantos that make up Dante’s Paradiso. The ensemble of the elements is illuminated by a soft, pure light that serves as a guide: the transformation that the artist wishes to bring about does not focus on the path followed by Dante, but rather on the perennial and memorable presence of Beatrice, who according to the artist embodies the very sense of Dante’s Paradiso.  The installation thus becomes a path on which the onlooker is enshrouded in words and light. A place where—just like in the Comedy itself—it is still possible to enter and be illuminated by the candour and potency of the very essence of love.”

From The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists by Simon Njami.

See also the images in Griot magazine, which describes the piece as it was presented in Njami’s I is An Other / Be the Other exhibit at the Galleria Nazionale di Arte Moderna e Contemporanea (GNAM) in Rome: “Maurice Prefura’s The Silent Way stages La Divina Commedia, a sort of labyrinth made of white floating empty pages that form its walls and hold visitors prisoners. Crossing this labyrinth, however, one realizes that there are visible inscriptions on the pages which can only be seen from certain angles, ‘as if in a rite of initiation.’ Once out of the labyrinth, one meets Beatrice.”   –Johanne Affricot, “Contemporary Art and Africa in Rome,” Griot (March 20, 2018)

Categories: Visual Art & Architecture
Tagged with: 2013, Africa, Art, Beatrice, Circles, France, Guides, Installation Art, Journeys, Light, Love, Paradiso, Paris, Transformation

Ndary Lo, The Day After (2012)

April 21, 2022 By Sephora Affa, FSU '24

star-shaped-configuration-of-people-with-arms-spread-out-black-on-white-background

“I see the world we are living in as both Hell and Purgatory. Our only hope in this life of ours, all that we have left is to try our best to be admitted to heaven someday. The Day After is an installation in which, after walking a long way through a dense and dark forest, one reaches that space where everything seems to be suspended, where one can feel this particular tension that we experience before embarking on a journey of which we don’t really know the name. The place is organized in a materialized circle and inhabited by iron characters which are ready to take off. The circle, in fact a spiral, symbolizes the energy of human beings, who find themselves in a new configuration, and they feel disoriented and experience a feeling of unreality.”

From The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists by Simon Njami.

Read more about Senegalese sculptor Ndary Lô, see Wikipedia.fr.

Categories: Visual Art & Architecture
Tagged with: Africa, Art, Art Books, Circles, Dark Wood, Energy, Heaven, Hell, Installation Art, Iron, Journeys, Metal, Purgatory, Sculptures, Senegal

Jane Alexander, Frontier With Church (2012-2014)

April 20, 2022 By Sephora Affa, FSU '24

jane-alexander-installation-figure-with-white-head-and-colorful-vest-on-black-background“In Frontier With Church, the artist makes direct reference to the procession encountered by Dante and Matilda at the summit of Mount Purgatory, interpreted in the temporal contexts of proselytism, migration, and trade, on their way to paradise. With Matilda—who clearly prepares Dante for his meeting with Beatrice—Dante witnesses a procession which forms an allegory within the allegory, somewhat like Shakespeare’s play with a play, in which the characters are walking symbols rather than real people. Alexander’s tableau is thus intended to represent the earthly paradise, a borderline space between earth and divine sanctuary: a frontier with attendants, messengers, custodians, and cargo. The tension revolves around human figures rendered with extreme realis, concurring in the creation of the moment before Dante’s meeting with the woman who (allegorically) symbolizes the path to God. All the creatures of the tableau are life-sized and share the real space occupied by the Viewer/s. They have a spectral presence within that space which silently enacts a living history.”

From The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists by Simon Njami.

For more on the South African artist, see Wikipedia.

Categories: Visual Art & Architecture
Tagged with: 2012, Africa, Art, Art Books, Beatrice, Installation Art, Matelda, Migration, Paradise, Purgatory, South Africa

In Dante Veritas, Vasily Klyukin

February 5, 2020 By lsanchez

“In Dante Veritas is a large scale, immersive multimedia exhibition by Russian sculptor Vasily Klyukin. It represents a narrative that recreates the nine circles of hell, and includes over 100 multimedia elements, such as sculpture, installation, digital art, audio and light boxes. The exhibitions includes sculptural works, most of which represent negative human traits such as Anger, Gluttony and Betrayal.

“The most prominent sculptural pieces are the Four Horsemen of the Modern Apocalypse. The artist has translated the traditional Horsemen (plague, war, hunger and death) into a modern day version: Overpopulation, Misinformation, Extermination and Pollution.

[. . .]

“The immersive exhibition encourages visitors to examine the sculptures with an audio guide narrated in the style of Dante’s poems. The sculptures of human sins also portray the punishment that comes with the sin. For instance, Gluttony is incredibly obese and Temptation has no limbs.

“The exhibition also includes a ‘prison’ room, further embodying the topic of sin. Famous criminals such as Stalin, Pablo Escobar and Bokassa are imprisoned here. The prison has a dungeon room – Betrayal – which represents Hell. Visitors are encouraged to leave notes on the wall, allowing them to name people who have betrayed them, or to write a message of forgiveness.

“The exhibition ends on a positive note. The Heart of Hope is a large sculpture of a heart at the centre of the exhibition, which was also displayed at the Burning Man festival in 2017. It symbolises the ability to stop all the negative traits and sins. Visitors are given a bracelet which transmits a signal to the statue, which then beats in the rhythm of the bracelet wearer’s heartbeat.”    —Elucid Magazine

Categories: Image Mosaic, Visual Art & Architecture, Written Word
Tagged with: 2020, Art, Betrayal, Digital Arts, Gluttony, Hell, Hope, Inferno, Installation Art, Multimedia, Russia, Sculptures, Sins, Temptation

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Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.

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