Dante Today

Citings & Sightings of Dante's Works in Contemporary Culture

“In Kyiv, I saw Dante under sandbags – a modern image of the hell of war”

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“I took quite a lot of photdante-statue-under-sandbagsos on my phone when I was in Ukraine this year, but this one jumped out at me as I was scrolling through them. Here we have Dante – the Italian poet, philosopher, writer – with his marble head poking up out of the sandbags. It’s in a park on Volodymyr Hill in the centre of Kyiv.”

“It’s not just an arresting image. Dante is a harbinger of the Renaissance; he’s a symbol of culture and learning. And that is the opposite of war, which is a regression to dark times. This is what Ukraine and Kyiv are having to labour under – and so Dante finds himself stifled by sandbags. Of course, one also thinks of the Divine Comedy and the seventh circle of hell, which is violence. That’s what the people of Ukraine have been enduring: a modern circle of hell.”

“The fact that Dante had to be covered with sandbags tells you everything – the Russians are attacking things that are nothing to do with a military campaign. That is a particular hell, when civilians are seen as legitimate targets for an advancing army. And as soon as I see this image, all of this floods into my mind.”    –Clive Myrie, The Guardian, December 12, 2022

James Fenton on Mandelstam’s Dante

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“The poet’s widow describes how, at a point when Mandelstam refers to Dante’s need to lean on authority, she refused to write his words down, thinking that he meant the authority of rulers, and that he condoned Dante’s acceptance of their favours. ‘The word had no other meaning for us,’ she says, ‘and being heartily sick of such authorities, I wanted no others of any kind.’ ‘Haven’t you had enough of such authorities?’ I yelled at him, sitting in front of a blank, grey-coloured sheet of paper, my hands defiantly on my knees. ‘Do you still want more?'”

“Mandelstam was furious with her for getting above herself. She was angry back, and told him to find another wife. But in due course she did what the circumstances required during the Stalinist persecution: she learnt the essay by heart, in order to ensure its survival. It wasn’t printed until three decades later, in 1967, when an edition of 25,000 copies appeared in Moscow and quickly sold out – the first of Mandelstam’s works to appear after the thaw.

“The argument about authority warns us to read Mandelstam’s essay not only for what it tells us about Dante but also as a reflection on our own times, and Mandelstam’s. [. . .]”   –James Fenton, The Guardian, 2005

See full article here.

In Dante Veritas, Vasily Klyukin

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“In Dante Veritas is a large scale, immersive multimedia exhibition by Russian sculptor Vasily Klyukin. It represents a narrative that recreates the nine circles of hell, and includes over 100 multimedia elements, such as sculpture, installation, digital art, audio and light boxes. The exhibitions includes sculptural works, most of which represent negative human traits such as Anger, Gluttony and Betrayal.

“The most prominent sculptural pieces are the Four Horsemen of the Modern Apocalypse. The artist has translated the traditional Horsemen (plague, war, hunger and death) into a modern day version: Overpopulation, Misinformation, Extermination and Pollution.

[. . .]

“The immersive exhibition encourages visitors to examine the sculptures with an audio guide narrated in the style of Dante’s poems. The sculptures of human sins also portray the punishment that comes with the sin. For instance, Gluttony is incredibly obese and Temptation has no limbs.

“The exhibition also includes a ‘prison’ room, further embodying the topic of sin. Famous criminals such as Stalin, Pablo Escobar and Bokassa are imprisoned here. The prison has a dungeon room – Betrayal – which represents Hell. Visitors are encouraged to leave notes on the wall, allowing them to name people who have betrayed them, or to write a message of forgiveness.

“The exhibition ends on a positive note. The Heart of Hope is a large sculpture of a heart at the centre of the exhibition, which was also displayed at the Burning Man festival in 2017. It symbolises the ability to stop all the negative traits and sins. Visitors are given a bracelet which transmits a signal to the statue, which then beats in the rhythm of the bracelet wearer’s heartbeat.”    —Elucid Magazine

How to Parent Like a Bolshevik

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[…] “The Bolsheviks, secure in their economic determinism, assumed that the outside world would join them as a matter of course, and embraced non-Communist art and literature as both prologue and accompaniment to their own. Even at the height of fear and suspicion, when anyone connected to the outside world might be subject to sacrificial murder, Soviet readers were expected to learn from Dante, Shakespeare and Cervantes.” […]    —Yuri Slezkine, The New York Times, October 30, 2017

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Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.

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