“Is justice delayed justice denied, or is it a case of better late than never? The poet Dante, author of the Divine Comedy, is being given a re-trial designed to posthumously clear his name.” […] —Deutsche Welle, May 21, 2021
COVID-19: Indians Going Through Nine Circles of Hell
“Akin to how characters in Dante’s poem paid for their sins in hell, Indians are paying with their lives during a pandemic for electing a government that is utterly incompetent and bigoted. [. . .]
“Dante and his imaginary guide Virgil were travelling through nine circles of hell on their way to heaven. Hell was used as a metaphor for human suffering for sins committed on earth. Although the punishment was severe, Dante’s poem portrayed them as fair and proportionate to the sins committed. The sufferings in India are not imaginary, but real, taking place while people are still alive, and most importantly, whatever their sins are, the fairness and proportionately of the punishments are definitely questionable. Yet the reference is fair and this column is designed to explain why.
“India is now in the proverbial ‘Ante-Inferno’ with a clear inscription written all over her, ‘Abandon all hope, you who enter here.’ India is now the case study of ‘what not to do’ in a pandemic, thanks to the conceit, egotism, and self-approbation of the Modi government.” [. . .] –Debasish Chakraborty, The Wire, May 20, 2021
Beatrice by William Dyce
“This painting was commissioned by [Dyce’s] friend, the Victorian prime minister WE Gladstone, a great Dante enthusiast. The model for Dante’s heroine was – at Gladstone’s request – Marian Summerhayes, an artist’s model and former prostitute “rescued” by the Liberal politician. It is possible that Dyce also used some photographic studies of the sitter to work from, which could explain the pensive stillness of his Beatrice, who is painted in three-quarter view and has a sculptured quality about it.
‘Dyce’s Beatrice sits serenely, her downcast eyes concentrating on something we cannot see within the picture space, thus elevating herself from this present to another time and place.” [. . .] –Griffin Coe, The Guardian, May 3, 2021
This entry is part of the Guardian’s Great British Art Tour 2021
Beatrice’s Eyes and Beauty in The Divine Comedy
“A scholarly essay published in VoegelinView describing the symbolism of Beatrice’s eyes in The Divine Comedy. The essay also has a few references to how such symbolism, and the role of Beatrice in general, are relevant to us today.” –Darrell Falconburg, VoegelinView, December 22, 2020
“Why Dante, 700 years later, is still a hell of a journey,” Hindustani Times
A brief overview of Dante’s influence and impact on the arts and on people all over the world, and notes our own Dante Today:
[…] “The poem’s influences are so wide and far-ranging that three American universities have collaborated on a website to keep track of them all. Since 2006, Dante Today has been archiving every present-day reference to the poem, through “sightings” and “citings”. They’re pretty thorough, even adding a hot-sauce brand called 10th Circle to their archive last month.” […] –Rachel Lopez, Hindustani Times, February 20, 2021
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