“Inspired by Dante’s Inferno, Shastry takes readers on a journey through modern Asia’s eight circles of hell where we encounter urban cowboys and cowgirls fleeing rural areas to live in increasingly uninhabitable cities, disadvantaged teenage girls unable to meet their aspirations due to social strictures, internal mutiny, messy geopolitics from the rise of China, and a political and business class whose interests are in conflict with a majority of the population. Shastry challenges conventional thinking about Asia’s place in the world and the book is essential reading for those with an interest in the continent’s future.” –From the book description, Amazon
“I don’t like horror movies. I think it’s because I don’t find violence or death to be that entertaining. I’m not trying to be holier-than-thou – I just really, really dislike being scared.
“It’s probably because I’m scared all the time, anyway (it’s a byproduct of my anxiety. Basically, any time I’m alone and anything happens, I freak out). So when I see people paying for the privilege of being scared out of their minds, I am incredibly confused, and also start wondering if people would pay for the VR-experience of being Geraldine. I once had a panic attack because of a Boston Terrier. A Boston Terrier. IT’S BASICALLY THE YODA OF THE DOG WORLD AND I WAS SO SCARED I COULDN’T BREATHE. There has to be money in that, right?” […] –Geraldine DeRuiter, The Everywhereist, January 16, 2016
In a review by Susan Ellingwood of ‘Dispatches,’ by Michael Herr
“Here’s what the 1977 Times review had to say about this book: ‘If you think you don’t want to read any more about Vietnam, you are wrong. ‘Dispatches’ is beyond politics, beyond rhetoric, beyond ‘pacification’ and body counts and the ‘psychotic vaudeville’ of Saigon press briefings. Its materials are fear and death, hallucination and the burning of souls. It is as if Dante had gone to hell with a cassette recording of Jimi Hendrix and a pocketful of pills: our first rock-and-roll war, stoned murder.’ ” –Susan Ellingwood, The New York Times, September 15, 2017