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Kevin Young and Robin Coste Lewis, Poems After Rauschenberg’s Inferno (2017)

October 31, 2021 By Sephora Affa, FSU '24

art-Canto-2-The-Descent-by-rauschenberg-see-link-for-corresponding-poem-by-kevin-young

“Robert Rauschenberg: Thirty-Four Illustrations for Dante’s Inferno, was published in conjunction with the first major retrospective on Rauschenberg’s career since the artist’s death in 2008, this book presents the complete set of 34 drawings, and newly commissioned poetry from Kevin Young and Robin Coste Lewis, each reflecting on a selection of drawings and their corresponding Cantos. Young’s half of the 34 Cantos are titled “The Dark Wood” and Lewis’ are erasures of John Ciardi’s Dante’s translation, titled “Dante Comes to America: 20 January 2017: An Erasure of 17 Cantos from Ciardi’s Inferno, after Robert Rauschenberg.” [. . . ]    —Poetry Society of America, (retrieved October 24, 2021)

View the poems and illustrations for Cantos II and XXIII here.

Relatedly, see the post on Robert Rauschenberg’s 34 Illustrations here.

Categories: Visual Art & Architecture, Written Word
Tagged with: 2017, Abstract Expressionism, American Poetry, Dark Wood, Drawings, Erasure, Illustrations, Inferno, Poetry, Selva oscura, Translations, United States

D. M. Black’s Translation of Purgatorio (2021)

October 23, 2021 By Harrison Betz, FSU '25

new-translation-purgatorio-d-m-black-cover“A new translation of Dante’s Purgatorio that celebrates the human elements of the second part of The Divine Comedy. This is a bilingual edition with an illuminating introduction from the translator.

“Black, a distinguished psychoanalyst as well as a poet, provides an introduction and commentary to this masterpiece by Dante from a contemporary point of view in this bilingual edition.” [. . .]    —Amazon (retrieved on October 20, 2021)

Categories: Written Word
Tagged with: 2021, Poetry, Purgatorio, Translations

Lines & Faces by Robert Woods and Alan Bern (2021)

October 14, 2021 By Professor Elizabeth Coggeshall

inferno-five-whirlwind-lustful-broadside-alan-bern-robert-woods

“Lines & Faces, the collaboration of artist/printer Robert Woods and writer/translator Alan Bern, is engaged in a project based on Dante’s Commedia: illustrated broadsides available to view at linesandfaces.com/divine-comedy. In these broadsides we attempt to capture and respond to central moments within Dante’s canti. As a poet and translator, Alan enjoys responding to Robert’s images in both our Dante work and in other projects (also available on our website, linesandfaces.com). At other times Robert responds to Alan’s words. We also work on parallel tracks and combine our work successfully. All three modes function very well after almost fifty years of producing broadsides together.

“In working to capture these Dante moments, we operate in a mode similar to that of haiku writers and haiga artists. Robert and Alan decide together on small sections of Dante and respond to them: Alan translates them into poetry (the middle panels), and then he creates a modern association to his work (the third panels). Robert creates a graphic work that illuminates the chosen moment,and he pulls all the elements together with his broadside design.”    –Alan Bern, in private email communication

View the broadsides here. Pictured above is their collaborative depiction of Inferno 5.

In addition to their illustrations and translations from the Commedia we invite Dante Today readers to check out Bern’s translation of Dante’s sestina Al poco giorno e al gran cerchio d’ombra with an accompanying image from Woods.

Contributed by Alan Bern

Categories: Visual Art & Architecture, Written Word
Tagged with: 2021, California, Illustrations, Paolo and Francesca, Poetry, Printmaking, Prints, San Francisco, Translations, United States

Poets in Purgatory (2021)

August 26, 2021 By Professor Arielle Saiber


“Dante’s Purgatorio has been described as the most ‘human’ of the three parts of his Comedy, and it can also be seen as a ‘singing school’ for poets. This new complete translation by sixteen contemporary poets enters into dialogue with Dante’s text by rendering it in a variety of different Anglophone voices – American, Australian, British, Irish, Jamaican, Scottish and Singaporean. The poets in this Purgatorio adopt a range of forms, from blank verse to terza rima, and their translations are accompanied by explanatory notes, a ‘prelude’ of poems about Purgatory, and a ‘postscript’ of newly-translated medieval Italian lyrics relating to Dante and his poem.”   —Arc Publications and Amazon

Edited by Nick Havely with Bernard O’Donoghue

Categories: Written Word
Tagged with: 2021, Poetry, Purgatorio, Purgatory, Translations

“Dante in Jazz” (Istituto Italiano di Cultura di Istanbul)

August 12, 2021 By Professor Elizabeth Coggeshall

“Nel 700° anniversario della morte di Dante Alighieri, siamo qui sul palco del teatro dell’Istituto Italiano di Cultura di Istanbul, con una lettura drammatica della Divina Commedia.

“L’attore Nuri Karadeniz declama in turco (sottotitoli in italiano) il Primo Canto dell’Inferno mentre il musicista Yiğit Özatalay eseguirà al piano sue composizioni jazz originali scritte per l’occasione.”

The performance is preceded by a short lecture (in Italian with Turkish subtitles) by Salvatore Schirmo, Director of the Istituto Italiano di Cultura di Istanbul, who highlights the influence of Dante and his works on contemporary Turkish literature and culture. The video premiered on YouTube on Dantedì (March 25) 2021.

Categories: Digital Media, Music, Performing Arts
Tagged with: 2021, 700th anniversary, Canto 1, Dantedì, Istanbul, Jazz, Live Performances, Nel Mezzo del Cammin, Recitation, Translations, Turkey, YouTube

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All submissions will be considered for posting. Bibliographic references and scholarly essays are also welcome for consideration.

How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.

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