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The Lost Daughter, Film by Maggie Gyllenhaal (2021)

February 1, 2023 By Gabriella Mola (FSU)

promotional-poster-for-the-lost-daughter-featuring-olivia-coleman-sitting-on-a-beach“The Lost Daughter by Maggie Gyllenhaal is a 2021 film adaptation of the 2006 Elena Ferrante novel of the same name. The novel’s protagonist, Leda, is an Italian woman who works as an English Literature professor. Since the film is in English, Gyllenhaal decides to make some setting changes, and Leda becomes a professor working on Italian Literature instead in the film. For this reason, in a scene from the movie, we can see Leda working on some texts, among which is Dante’s Comedy. The frame shows the books just for a few seconds, but it is clear that one of them is open on the first Canto of Paradiso. Even if shown just for a few seconds, the specific text in Leda’s book is significant in connection to the whole movie. The insertion of Dante in the film is both the consequence of the adaptation of the book in a foreign setting and an homage from the director to Ferrante and the whole Italian literary tradition.”    –Contributor Martina Franzini

Contributed by Martina Franzini, Johns Hopkins University

Categories: Performing Arts
Tagged with: 2021, Academia, Films, Italy, Literature, Paradiso, The Canon

“Literature as Self Help – The Life Lessons of Dante’s Divine Comedy” (2015 Blogpost)

January 16, 2023 By Gabriella Mola (FSU)

Dante-Alighieri-Reading-With-His-Head-In-His-Hand“Why do we teach literature? What’s the point of studying history’s ‘stories?’ Most English teachers would acknowledge the focus of self discovery and character education in the novels we teach. In fact, the standard has long been to recognize literature as a ‘record of the human experience.’ We read to commiserate and learn and understand who we are on both an individual and global historical scale.

“That’s what makes Rod Dreher’s recent [2015] piece for the Wall Street Journal so cool. Dreher, who is a columnist also known for his unique take on conservatism, offers a unique and surprising explanation of Dante’s Divine Comedy as a classic of self help – ‘The Ultimate Self Help Book: Dante’s Divine Comedy. It’s not just a classic of world literature; it’s the most astonishing self help book of all time.’ Dreher explains his own personal struggles and the coping mechanisms he picked up from Dante after browsing the classic in a bookstore.” [. . .]    –Posted by mmazenko, “Literature as Self Help – The Life Lessons of Dante’s Divine Comedy,” A Teacher’s View, March 20, 2015

Categories: Digital Media, Written Word
Tagged with: 2015, Blogs, Conservatism, Literature, Self-Help, Teachers, The Canon

Nuruddin Farah, Links (2004)

March 17, 2022 By Sephora Affa, FSU '24

links-by-nuruddin-farah-book-cover

“Nuruddin Farah’s ninth novel in English, Links, makes a mainly para-textual use of Dante’s Commedia, implicitly validating its canonical status both within Italian literary tradition and world literature as a whole. The epigraphs chosen for each part of the book come from Dante’s Inferno, except the first three exergues…

“Through the references to Dante’s Commedia, Jeebleh’s journey is configured from the beginning as a descent to hell, represented by the city of Mogadishu during the civil war.” [. . .]    –Simone Brioni, Lorenzo Mari, Postcolonial Dante: Reading the Commedia in Mogadishu, 2019

Access Links by Nuruddin Farah here.

Contributed by Simone Brioni (Ph.D., Stony Brook University)

Categories: Written Word
Tagged with: 2004, 2019, Books, Canto 24, Canto 3, Cities, Civil War, Colonialism, Epigraphs, Guides, Homes, Intertextuality, Journeys, Mogadishu, Novels, Somalia, The Canon

Abe Kōbō, “The Boom in Science Fiction” (1962)

November 13, 2020 By Professor Elizabeth Coggeshall

“[. . .] Rediscovering the Vision of Science Fiction. We cannot call everything with a monster in it science fiction, but if we make the presence of a hypothesis our standard, then we are free to widen the field considerably. The evolutionary line of science fiction could include not only Karel Čapek’s R.U.R. [1920] and War with the Newts [1936], but even Franz Kafka’s Metamorphosis [1915] and David Garnett’s Lady into Fox [1922]. We could broaden our definition endlessly, going beyond the commonly accepted idea of the ‘science fiction writer’ to include authors like Mark Twain, Robert Louis Stevenson, August Strindberg, Guillaume Apollinaire, Vladmir Mayakovsky, Jules Supervielle, Lu Xun, Sōseki Natsume, Uchida Hyakken, Akutagawa Ryûnosuke, Ishikawa Jun, and so on.

“And we could go even further back, to Swift, Cervantes, Shakespeare, Dante, Apuleius, and Lucian. The pedigree for our literature of hypothesis would eventually trace itself all the way back to the Greeks.

“Viewed in this light, science fiction’s vision is not a narrow branch within literature but part of the mainstream, a literary current far longer and deeper than a movement like Naturalism, for example. Even if this vision does not encompass all of literature, it is a part too important to leave out. And if there is a potential for a boom in science fiction in our country, it will be a great blessing for Japanese literature, afflicted as it is with a shortage of hypotheses. [. . .]”   –Abe Kōbō, “The Boom in Science Fiction” (1962), trans. Christopher Bolton, Science Fiction Studies 88 (November 2002)

Categories: Written Word
Tagged with: 1962, Fiction, Japan, Literature, Science Fiction, The Canon

“Dante’s Inferno has always been so funny to me…”

September 4, 2020 By Professor Elizabeth Coggeshall


“Dante’s Inferno has always been so funny to me because its this really important classic that is constantly referenced, but at the same time it’s really just a burn book. Dante Alighieri is Regina George and he wrote an entire book about a bunch of people he hates and why he hates them. Dante took out his pink gel pen and wrote out in big cursive letters: Achilles is a slut.”   —aphrodarling on tumblr (April 24, 2019)

Regina George is the antagonist of the 2004 film Mean Girls.

Contributed by Kate McKee (Bowdoin College ’22)

Categories: Digital Media, Written Word
Tagged with: 2019, Achilles, America, Blogs, Films, Humor, Inferno, Judgement, Social Media, The Canon, Tumblr

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.

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