This Italian progressive rock band released “Inferno” in 1972 and, 32 years later, “Paradiso.” The album tracks correspond with Dante’s journey through the afterlife, although in some cases the musicians did alter some of the sins punished in hell.
Garage Inferno, Florence, Italy
Sante Maurizi, “Paolo e Francesca” (2000-2001)
“Paolo e Francesca” is a journey through the different ways in which the story told by Dante in Inferno V has be represented in visual art, theater, poetry, etc.
See La Botta e il Cilindro for information on the play and a wonderful collection of illustrations of the Paolo and Francesca scene from Inf. V.
Dante’s Inferno Documented (2009)
“Dante’s Inferno Documented, now in final stages of post-production, started filming in Italy (Rome, Florence and Bellagio) in February, 2008 and continued in Los Angeles, United States in March, August, December 2008, January 2009 (including its narration) and finished additional filming in February of 2009…
Dante’s Inferno Documented is an introduction to Dante Alighieri’s journey through the first part of the afterlife, Inferno. It is a four-quadrant compelling film organized circle by circle and presented in an unprecedented and unique way that no other documentary has done up until now. Dante’s Inferno Documented is a visual and narrative journey to Hell told by over 30 scholars and artists who were interviewed on Dante’s Inferno, in both Italy and the United States. It features over 50 black and white illustrations by Gustave Dore, over 50 original color illustrations from the upcoming Dante’s Inferno comic book and magazine series and a few dramatic animations from the upcoming animation short film.” [. . .] —Dante’s Inferno Documented
Roberto Benigni, “TuttoDante” in the US
“…Next week he will begin a short North American tour of TuttoDante, a monologue about Dante’s Divine Comedy that mixes literary insights with off-the-cuff political jokes. In Italy, where he has been doing the show regularly for three years, it has drawn more than a million people.” [. . .] –Ben Sisario, The New York Times, May 22, 2009
Contributed by Pamela Montanaro
“For the record, the Italian actor Roberto Benigni does not believe that New Yorkers are going to Hell. ‘I hope they go to Paradise, every one of them,’ he said last Thursday, in the back seat of a taxi, blinking against the swish and roar of traffic. But that might be because he thinks it’s a journey the city’s residents have already made. ‘This is the beginning of Hell,’ he said. ‘The deeper we go, the greater the range of utterances of grief and fury we will hear. Different colors of people. Slang! Obscenity! Curses! Sighs! Keening!’ He paused while a van blasted its air horn. ‘This is really the sound of Hell,’ he said. ‘But we need to pass through the Inferno to reach Paradise.'” [. . .] –Stephan Faris, The New Yorker, June 1, 2009
Contributed by Patrick Molloy
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