“‘It’s an inferno in here,’ yelled a middle-aged woman as she plunged into a foul-smelling hot spring in central Italy. She wasn’t the first to compare these scorching sulfur baths to Hell. In Canto XIV of Inferno, Dante wanders past a pool oozing with boiling red water and is reminded of these thermal spas about an hour north of Rome ‘whose waters are shared with prostitutes.’ . . .
That may explain why spas like Bulicame seem to hold more appeal for the locals. In addition to being free, its commercial-free atmosphere and ancient Roman ruins infuse the bath with history. Besides, Dante’s journey through Inferno and Bulicame eventually led him to Paradiso.” […] –David Farley, The New York Times, August 26, 2007
Dante Bar, Via del Corso, Rome

Photo contributed by Maxime Billick (Bowdoin, ’10)
Roberto Benigni’s “Tutto Dante”

See Roberto Benigni’s website Tutto Dante for more information and photos.
Contributed by Dorothea Herreiner
John Curran, “The Painted Veil” (2006)
The 2006 movie, The Painted Veil, based on a novel by Somerset Maugham ultimately derives from the author’s fascination with Pia, a character in Dante’s Purgatorio. This discussion of the movie quotes from Maugham’s preface to the novel:
“The idea for the novel began when Maugham was studying Italian under the tuition of the daughter of his landlady in Tuscany before World War I (he had by then decided to abandon a career in medicine for the life of a writer). While working through Dante’s Purgatorio, he came upon this line, spoken by the adulterous wife Pia: Siena mi fe’; disfecemi Maremma. (Siena made me, Maremma unmade me.) Ersilia (for so the tutor was named) explained that Pia was a noblewoman of Siena whose husband, suspecting her of adultery and afraid on account of her family to put her death, took her down to his castle in the Maremma valley, the noxious vapors of which he was confident would kill her off. But she took so long to die that he grew impatient and had her tossed out a window. As Maugham explains in his preface to the novel: ‘I do not know where Ersilia learnt all this. The note in my own Dante was less circumstantial, but the story for some reason caught my imagination. I turned it over in my mind and for many years from time to time would brood over it for two or three days. I used to repeat to myself the line: Siena mi fe’; disfecemi Maremma. But it was one among many subjects that occupied my fancy and for long periods, I forgot it. Of course I saw it as a modern story, but I could not think of a setting in the world of today in which such events might plausibly happen. It was not till I made a long journey in China that I found this.'” –Edward T. Oakes, First Things, January 10, 2007
Contributed by Patrick Molloy
Giacomo Puccini, “Gianni Schicchi” (1918)
From the last scene in Gianni Schicchi, one of Puccini’s three operas comprising Il Trittico, recently performed at the Metropolitan Opera in New York. “Seeing the two lovers, he (Gianni Schicchi) is moved. He smiles, takes off his hat, and turns to address the audience in a spoken epilogue: ‘Tell me, gentlemen, if Buoso’s wealth could have gone to better ends than this? For this prank, I have been condemned to the Inferno, and so be it; but with all due respect to the great father Dante, if you have been amused, grant me extenuating circumstances!’ He makes a motion of applause and bows to the audience.'” —Stanford
The other two operas in Il Trittico also have Divine Comedy themes: “Puccini’s last operas abandon realism. The Trittico rebuilds the old vertical, spiritual theater, encompassing all the gradations of nature. Puccini’s original plan was to make the panels episodes from Dante; though that didn’t happen, they still constitute a divine comedy. Il Tabarro is set in an urban inferno, Suor Angelica in a convent which serves as the heroine’s purgatory, Gianni Schicchi in a mercenary Florence which from the heights of Fiesole looks like a radiant paradise. Because Dante’s was a journey through the undiscovered country, all three works map Orphic voyages into the underworld.” –Peter Conrad, Opera Info (retrieved on May 15, 2007)
See pzweifel for Tuscan sites connected with Gianni Schicchi (retrieved on May 15, 2007).
Contributed by Patrick Molloy
- « Previous Page
- 1
- …
- 51
- 52
- 53
- 54
- 55
- 56
- Next Page »
