“A bite of Tuscan prosciutto is all you need to understand salt-free Tuscan bread, the stuff that Dante so deeply missed when he was in exile. Prosciutto Toscano is saltier and a bit spicier than prosciutto from Parma or San Daniele, so saltless bread is an excellent foil. And now you can see for yourself. After years of due diligence to comply with Department of Agriculture rules, the hams are being imported into the United States for the first time. They are different from other hams because of the somewhat smaller size of the pigs, which also have less fat, and the seasoning used in curing, which involves pepper and juniper as well as salt. ‘The texture is also drier than the others,’ said Cesare Casella, the Tuscan chef who is selling the ham in his shops. ‘It’s more like Spanish serrano ham’: $28 a pound at Salumeria Rosi Parmacotto on the Upper West Side and Upper East Side. Also at Eataly and Fairway.” –Florence Fabricant, The New York Times, February 26, 2013
Pope Benedict XVI Resigns, February 11, 2013
On NBC’s Today Show the correspondent from Rome mentions that this is first resignation of a Pope since Celestine V in 1294, who Dante may have been indicating when he referred to the sinner among the Undecided (Inferno 3) who made the “great refusal.”
Many other reporters and commentators discussing Benedict XVI’s resignation are also mentioning Dante’s supposed (but debated among scholars) placement of Celestine V in Hell. See, for example, Carol Zaleski’s piece in the New York Times, February 11, 2013.
Contributed by Julie Heyman
Outside On a Billboard, Bodleian Libraries, Oxford, England
Bodleian Libraries, Oxford, England
See also: the 14th century manuscript from North Italy (Genoa?)
Contributed by Dien Ho
Dante and Foxy Mega Toilet Paper
Contributed by Elizabeth Coggeshall
Artist Maruizio Cattelan’s Final Project
“The time has come: sooner or later it arrives for everyone. It’s not a painful moment and not even traumatic, it’s the natural evolution of a path of spectacular appearances and equally as many escapes, attempts to hiding away and revelations: Maurizio Cattelan is bowing out with one last exhibition. The retrospective All (from November 4th to January 22nd) at the Guggenheim Museum of New York (that Nancy Spector, head curator of the museum, has called “one last hanging”) is his most radical and visionary project. The reverse cone of Frank Lloyd Wright’s architecture thus transforms into a seventeenth-century transposition of a sort of Dante’s Inferno, crowded by thousands of sinners: the exhibition combines all of Cattelan’s works, suspended from the museum’s skylight in a new, total and extreme project that transforms visitors into lost souls and the tour of the exhibition into a descent into the underworld. It’s also true that the great conflicts between right and wrong, Paradise and Hell have been in the heart of Maurizio’s career.” –Paola Manfrin, L’Uomo Vogue, November 2011
See also: L’Uomo Vogue’s interview with Maurizo Cattelan.
Learn more about Cattelan’s exhibit at the Guggenheim Museum.
Contributed by Patrick Molloy
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