“The Flat-Massimo Carasi gallery reopens its doors to the public, after the protracted closure due to Covid 19, with a collective that look forward for a restart. Convinced that the physical space of the gallery will resist the broadsides of innovations and will remain an essential point of meeting and sharing with the public, we recognize that no man / woman is an island even in its own solitude (a very crowded solitude). Art, in all its disciplines, remains the most enthralling mystery and witnessing its representations in first person will simply remain of VITAL importance. We identify the works of art with the stars, to which Dante refers and illuminate the dark, so in this context we have chosen for the end of the season program, a roundup of works that would like to shape a physiognomy of contemporary being with her/his passions and obsessions, between damnation and holiness, bewilderment and hope.These are works that refer to woman/man but do not portray her/him directly. Instead they evoke his presence by interpreting the fetishes that are left behind as traces. The invited artists, using new and traditional media, adopt the most varied techniques to grasp the human dimension with sometimes simple, or sometimes, categorical gestures.” —Stefano Caimi, Michael Johansson, Guillaume Linard Osorio, Sali Muller, Jack Otway, Michelangelo Penso, Leonardo Ulian, …and Thence We Came Forth To See Again The Stars, Leonard Oulian, June 11-September 4, 2020 (retrieved on March 28, 2024)
Ric Burns’s DANTE: Inferno to Paradise (2024 documentary)
Coming to PBS on March 18 and 19, 2024!
“DANTE: Inferno to Paradise, a groundbreaking two-part documentary film, presents and explores the extraordinary power, beauty and drama of Dante’s great masterwork, The Divine Comedy, set within the riveting circumstances of the poet’s own life, and of the turbulent times he lived in.
“No feature-length documentary film has ever fully exploited for an English-speaking audience the stunning power, reach and drama of Dante’s biography, or of the soaring poetic masterpiece he created – a poem that stands to this day at the very apex of world literature and culture.
“‘Dante and Shakespeare divide the world between them. There is no third.’ —T.S. Eliot, 1924
“DANTE will bring deep and widespread awareness of Dante’s significance and immense contribution to world culture: an impact that has reached now across 700 years with a text that speaks as powerfully to contemporary readers today as it did to the men and women of Dante’s own time. The modern-day relevance of the story of Dante’s life and work is astonishing, as people everywhere look for signs of hope and redemption and a way forward in circumstances as challenging in their own way as Dante’s own.” —ricburns.com
“DANTE: Inferno to Paradise is a two-part, four-hour documentary film chronicling the life, work and legacy of the great 14th century Florentine poet, Dante Alighieri, and his epic masterpiece, The Divine Comedy, one of the greatest achievements in the history of Western Literature. The ambition of the film, which combines powerful dramatic reenactments, colorful interviews with renowned scholars, exquisite archival material and scenic filming, is to bring to life and make accessible, to the widest possible audience, the transformative power and beauty of this singular work of art. The film is divided into two two-hour episodes. Part One: Inferno explores the historical background of medieval Florence from 1216 to Dante’s birth in 1265, and recounts the dramatic details of Dante’s childhood, education and early literary and political career, culminating in his exile in 1302, and his decision to begin The Divine Comedy in 1306 – plunging with Dante and his readers into the underworld itself where, guided by the great Roman poet, Virgil, he will meet a vast cohort of historical and mythological figures – arriving finally at the very bottom of hell, in their encounter with Lucifer himself. Part Two: Resurrection explores Dante’s experience in exile, and his completion of the last two parts of the Comedy, shortly before his death in Ravenna in 1321. Interweaving soaring scenes drawn from Purgatory and Paradise, the film goes on to explore the afterlife and literary and cultural fate of Dante’s masterpiece from the time of his death down to today.” –Steeplechase Films
Exhibit “Ridon le carte. Edizioni illustrate della Commedia in Francia… e altrove” (March 1-22, 2024)
The exhibit “Ridon le carte: Dante tradoto e illustrato in Francia (e altrove)” runs from March 1-22, 2024, in the Biblioteca Marucelliana in Florence. The opening will be commemorated with a lecture by Paul Bitner, collector and specialist in the history of the book and of illustration.
“Come tradurre in immagini la poesia immaginifica di Dante? Paul Bitner, collezionista, esporrà per la prima volta a Firenze la sua collezione di edizioni illustrate di Dante in francese. Accanto a questa mostra, che sarà inaugurata venerdì 1 marzo alla Biblioteca Marucelliana di Firenze, l’incontro all’Istituto Francese si propone di far luce sulla diversità delle illustrazioni dantesche prodotte fuori dalla penisola italiana, dalla metà dell’Ottocento a oggi . Dall’editoria bibliofila all’editoria popolare passando per l’editoria per giovani, dalla Francia o dai paesi francofoni alla Danimarca passando per l’Ucraina, dall’acquaforte alla fotografia passando per l’incisione su legno, l’accento è posto sulla molteplicità degli stili e delle tecniche, e infine sulle prodigiose ricchezza delle visioni iconografiche che l’opera del divino poeta ha suscitato. Queste poche tracce storiografiche rivelano soprattutto una cartografia proliferante di sovrapposizioni e intrecci delle traiettorie di un’immaginazione dantesca, un’incessante variazione di interpretazioni, incomparabile nella sua scala, nella sua diversità e nella sua durata; ciò che l’illustrazione dimostra.” —Institut Français Firenze
See the flyer for the exhibit opening here (pictured above) and the program for the dedicated giornata di studio—with talks by a dozen scholars on Dante’s reception in Chinese, Danish, French, German, Spanish, and other traditions—here. The inaugural lecture will be held on February 29 and the conference on March 7, 2024.
Contributed by Paul Bitner
Dante al di Fuori della Politica
“‘Non dobbiamo sostituire alla egemonia culturale gramsciana della sinistra una egemonia della destra: noi dobbiamo liberare la cultura, perché la cultura è tale se è libera e aperta dialetticamente.’
“‘Rispetto il ministro, ma è un po’ pretestuoso. Il valore di Dante, il motivo per il quale è sopravvissuto fino ad oggi e oltre oggi è la sua dismisura poetica, immensa, misteriosa, non certo la sua posizione politica.'” — Lorenzo Salvia, “Sangiuliano: ‘Dante fu il fondatore del pensiero di destra in Italia’. Proteste dalle opposizioni,” Il Corriere della Sera, January 14, 2023.
The Straight Way Lost
“[The Straight Way Lost] is a 400-page book that is one part sourcebook and setting guide for fantasy gaming in a Renaissance that never quite was, and the other part an earth-shaking adventure of intrigue, terror and
triumph.
“This gripping adventure for 5e is set in a fantastical version of Renaissance Italy and features a voyage between Heaven and Hell
inspired by that most renowned of Italian poems, [La Divina Commedia].
[…]
“It is the year 1492. In the mighty city-state of Florence, Girolamo Savonarola, the charismatic prior of San Marco is fighting to rid society of the decay that has set in under the reign of the Medici family. The adventurers are drawn into this political game of intrigue and set out to find a cure for the evil that has befallen their home. Their journey will have them cross paths with the mysterious fey queen of the Apennine and discover the secrets of the strange nexus realm the fae call the Great Loom, but only after following in the footsteps of Dante Alighieri through the netherworlds can the heroes return to face the enemy and help create their City On A Hill.” —Vortex Verlag, The Straight Way Lost, Kickstarter, January 26, 2024 (retrieved February 6, 2024)
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