“In WrestleMania 36 the Firefly Fun House Match contains numerous references to Dante’s Divine Comedy, specifically, Inferno. Such as the sign on the door when John Cena enters says, ‘Abandon all hope ye who exit here.’ …” —Wikipedia
Sylvain Reynard, Gabriel’s Inferno (2012 novel; 2020 film adaptation by Passionflix)
“Enigmatic and sexy, Professor Gabriel Emerson is a well-respected Dante specialist by day, but by night he devotes himself to an uninhibited life of pleasure. He uses his notorious good looks and sophisticated charm to gratify his every whim, but is secretly tortured by his dark past and consumed by the profound belief that he is beyond all hope of redemption.
“When the sweet and innocent Julia Mitchell enrolls as his graduate student, his attraction and mysterious connection to her not only jeopardizes his career, but sends him on a journey in which his past and his present collide.
“An intriguing and sinful exploration of seduction, forbidden love, and redemption, Gabriel’s Inferno is a captivating and wildly passionate tale of one man’s escape from his own personal hell as he tries to earn the impossible—forgiveness and love.” —Penguin Random House
The 2012 novel, set in Toronto, was adapted into a three-part series of films starring Giulio Berruti and Melanie Zanetti and directed by South African filmmaker Tosca Musk. It was produced and released by Musk’s company Passionflix in 2020. The image above comes from the Amazon Prime Video page for the film (retrieved July 26, 2021; no longer active as of July 2023). Gabriel’s Rapture (Part Two; three-part series) was released in 2021-2022, and the first installment of Part Three: Gabriel’s Redemption (also a projected three-part series) was released in 2023.
For updates on the film series (and to view), see Passionflix’s website. See more about the film’s first installment on the IMDB page here.
Contributed by Margaret Goodspeed
Trump and his Enablers belong in Dante’s 9th Circle of Hell
“If Dante’s deepest circle of Hell did exist, it would be reserved for Trump and his enablers. It would be reserved for those who betrayed our country and this beautiful blue world for profit. It would be reserved for those who allowed a pandemic to take tens of thousands of lives and affect millions. It would be reserved for those who are silent about the bounties placed on our active duty troops’ heads, who disparage our military, intelligence agencies, our scientists, and health care professionals. It would be reserved for those who place all that we love in danger.
“It would be reserved for those who supposedly care for us, but expect silence about their support of Trump or of those who support him.
“The list of betrayals in my life is long and old.” […] –Onomastic, Daily Kos, September 15, 2020
Dante Alighieri’s COVID-19
“‘Lasciate ogni Speranza, voi ch’entrate.’ Abandon all hope, ye who enter.
“The words inscribed on the gates of hell, according to Dante Alighieri in the Divina Commedia, could be the best way to describe the tumultuous year we have experienced so far…
“The COVID-19 world crisis has shed light into how broken some systems are, how a social net would have helped the ‘most developed country in the world’ be the hero it is in the Hollywood movies.
“Instead, residents of the United States find themselves trapped in a hell only known to them and a select group of countries, like Brazil and Mexico. We currently have no Virgil that will guide us through the complex planes of hell. At this rate, Dante would have never gotten out of the Inferno to ever meet the concentric circles of the Paradiso.” […] –Jorge Luis Galvez Vallejo, Iowa State Daily, July 30, 2020
France Štiglic’s The Ninth Circle (1960)
“After the qualification of the digitally restored Štiglic’s film The Valley of Peace (1956) for the 2016 Cannes Classics competition, the celebration of the 60th anniversary of its making, and its Cannes premiere, the same director’s film The Ninth Circle (1960) was the third work of his that was screened in Cannes (the first one had been the 1949 film On Our Own Land).” [. . .] —The Film New Europe Association, July 28, 2020
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