“I had first come into contact with the work of Dante Alighieri as a high school student in Canada. A senior’s English class had the Inferno included as part of their curriculum, and I was eager to read the masterwork, as some minor prior contact with the text had intrigued me greatly. I was not dissuaded by the inscription I saw above the vestibule:’“Abandon every hope, all ye who enter’! My interest in the fine arts guided my curiosity, and in time I was thrilled to discover the wealth of artists who had, in previous centuries, endeavoured to give a visual expression to that poet’s massive descriptive and symbolic structure.” […]  Read more here.