“The musical style and composing manner of Boris Tishchenko (1939 – 2010) shows him to be a typical representative of the Leningrad composers’ school. He was very much influenced by music of his teachers Dmitri Shostakovich and Galina Ustvolskaya, turning these influences in his own way. He tried to use some experimental and modernist ideas like twelve-tone or aleatoric techniques, but was much more attached to the native traditions of his homeland. He was honored by Shostakovich’s orchestration of his First Cello Concerto, and repaid his master by the orchestration, editing and transcription of a few scores by Shostakovich.” —Avaxhome
Comic Biografías: Dante
Irena Lisiewicz’s Purgatorio Image Theatre
Irena Lisiewicz, a professional artist and costume and set designer, created a project entitled Purgatorio Image Theatre (2009-2013), inspired by Dante Alighieri’s The Divine Comedy. To learn more about Lisiewicz and her works, view her LinkedIn profile, a Slideshare of her project Purgatorio Image Theatre, and a Picasa Web Album of her artwork.
Students Chart Dante’s Lapidi in Florence
Students of a school in Florence have charted the 33 stone inscriptions of Dante’s Divine Comedy throughout the historical center of Florence. La Reppublica details the project in “Le lapidi dantesche sbarcano su Google Earth,” November 23, 2013. To see the locations of the 33 lapidi, see here. (Note: you must first download Google Earth in order open the file).
“I Found Myself in a Dark Wood”
“ ‘In the middle of our life’s journey, I found myself in a dark wood.’ So begins one of the most celebrated and difficult poems ever written, Dante’s Divine Comedy, a more than 14,000-line epic on the soul’s journey through the afterlife. The tension between the pronouns says it all: Although the ‘I’ belongs to Dante, who died in 1321, his journey is also part of ‘our life.’ We will all find ourselves in a dark wood one day, the lines suggest. That day came six years ago for me, when my pregnant wife, Katherine, died suddenly in a car accident. Forty-five minutes before her death, she delivered our daughter, Isabel, a miracle of health rescued by emergency cesarean. I had left the house that morning at 8:30 to teach a class; by noon, I was a father and a widower.” –Joseph Luzzi, The New York Times, December 18, 2013
Contributed by Janet E. Gomez
See also the New York Times review of Luzzi’s 2014 memoir, In a Dark Wood.
Contributed by Stephanie Hotz, University of Texas at Austin
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