“Bernardo Provenzano, the former Godfather of the Sicilian Mafia who is serving life in prison, is spending his time reading Dante and writing to a pen pal. . . ‘I have read the Inferno,’ he wrote. ‘And especially where it says that on life’s journey, I found myself in dark woods, the right road lost.’ The former boss of all the bosses–who ordered the assassination of Giovanni Falcone and Paolo Borsellino, a pair of anti-Mafia investigators–told Bonavota that ‘when reason and force collide, force wins and reason is lacking.'” [. . .] –Malcolm Moore, The Telegraph, January 28, 2008
Contributed by Aisha Woodward (Bowdoin, ’08)
Vladimir Martynov, “Vita Nuova” Opera
“Next season, Mr. Jurowski will return to Lincoln Center with the London Philharmonic, bearing Mozart, Mahler, Strauss, a full evening of Rachmaninoff and the American premiere of Vladimir Martynov’s opera Vita Nuova, after Dante’s neo-Platonic treatise on love in verse and prose.” –Matthew Gurewitsch, New York Times, January 27, 2008 (retrieved January 27, 2008)
See also: “Love Poems With Musical Annotation” by Anthony Tommasini, The New York Times, March 1, 2009
Franz Liszt, “Dante Symphony” (1847-57)
“The Dante Symphony, by Franz Liszt, was written in two movements: Inferno, and Purgatorio – Magnificat. Liszt was told that he shouldn’t attempt to write a movement for Paradiso, as this was a hopeless venture. Nobody can put true heaven into a song.” –Kevin Williams, January 26, 2008
Contributed by Kevin Williams (Luther College, ’11)
Writer Ethan Coen and Director Neil Pepe, “Almost an Evening” (2008)
“Like many of the Coen brothers’ films, much of ‘Almost an Evening,’ nimbly directed by Neil Pepe, is touched by the premise that hell lurks right under the surface of, or just around the corner from, everyday life. Make that Hell, with a capital H, the same piece of real estate charted by Dante and Milton.” [. . .] –Ben Brantley, The New York Times, January 23, 2008
The 10th Circle
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