“. . .Dr. Jenkins, who has taught in Wesleyan’s theater department for 11 years, introduced prison outreach into the curriculum in 2007, bringing students to the York Correctional Institution, a women’s prison in Niantic, to work with inmates on literary classics. In 2009 and 2010, they began concentrating on ‘Inferno’; this year, because of construction at York, the class took place at the men’s facility in Niantic, the J.B. Gates Correctional Institution. . .
The semester culminated with performances. The Gates inmates presented their work to their peers, and at Wesleyan, the students performed the writings of the inmates for the college community. In the classroom at Sing Sing, the inmates performed for the Wesleyan students, and then the students presented the Gates men’s words, for which they received a standing ovation from the inmates. All of the performances ended with the same line, the last of the poem: ‘E quindi uscimmo a riveder le stelle.’ “And then we emerged to look again at the stars.” [. . .] –Susan Hodara, The New York Times, December 24, 2010
“O.N.C.E. in Hell: Dante’s Inferno in Ten Courses”
“After a smashing success in December of 2009, O.N.C.E. in Hell returns to OBERON for one night only and features ten courses of locally sourced food and a theatrical journey through the rings of hell of Dante’s Inferno. Food is by Cuisine en Locale, who offer O.N.C.E (One Night Culinary Events) throughout the city, highlighting seasonally appropriate local food. Allegra Libonati, Artistic Associate at the A.R.T, and Steven Mitchell Wright, Movement Director for Cabaret, create the performance and the cast will be filled with familiar faces from the A.R.T. and OBERON.
Virgil, your Maitre D’, will lead you through the nine circles of hell in search of the love of your life, Beatrice, who has summoned you from beyond the grave. Meet furies, a three-headed dog and a cast of wild characters as they serve you not only your meal but also a night of devilish entertainment.” —American Repertory Theater (retrieved on November 21, 2010)
“…a 10-course, three-hour meal designed to reflect the famous Italian poet’s uniquely described ‘circles of hell.’ (In its first, sell-out staging last year, plates included ‘Beelzebub’s Burgers’ and ‘Tofu Wellington’ – the tofu being used in place of beef for the fraud circle…” –Scott Kearnan, Stuff Boston, October 4, 2010
Contributed by Patrick Molloy
“9 Circles” by Bill Cain S.J.
“Jesuit playwright Bill Cain S.J., has penned a new and searingly powerful play. Just a year after his earlier successful play about the gun powder plot, Equivocation (see my review), Cain portrays in his new play, 9 Circles, a character, Daniel Reeves, as a disturbed 19-year old snarled in the web of war…
“The title, 9 Circles, refers, of course, to Dante’s Inferno, the 9 circles of hell. In the play, Reeves, successively, shifts from a rigid, brainwashed Army killer to a finger twitching 19-year-old grunt to, in a final soliloquy, some profound self-knowledge and forgiveness.” [. . .] –John Coleman, S.J. America, November 9, 2010
See a boston.com review.
Contributed by Patrick Molloy
Hell’s Half Acre, Lazarides Gallery London, October 12-17, 2010
“Dante: no other medieval author continues to exert such an extraordinary force on the modern imagination. Those who’ve read his Comedia never recover; those who’ve never read him still feel like they know the Inferno, and because it has become such a cultural norm, they probably do know it. At Cambridge, Prof. Robin Kirkpatrick has been undertaking a massive critical and creative engagement with Dante over the past couple of years in a project entitled Performance, as well as a conference at CRASSH entitled Pain in Performance and ‘Moving Beauty’. This year, on October 30th, Performance 2010 will further explore Dante and other texts in a series of performances, music, dance, art and drawings.” [. . .] —Miglior Acque, October 22, 2010
Contributed by Patrick Molloy
A. R. Gurney, “Office Hours” (2010)
“A.R. Gurney resurrects the culture clash over dead white males in his latest play, Office Hours, a wispy but congenial comedy structured as a series of tutorials tied to classical literature’s greatest hits. The play, which opened on Thursday night at the Flea Theater in a production directed by Jim Simpson, makes a gentle plea for the enduring worth of Homer, Dante, Shakespeare and the rest of the dear, derided DWMs as writers whose works illuminate everlasting problems of human life, even the lives of disgruntled feminists and deranged veterans of the Vietnam War.” [. . .] –Charles Isherwood, The New York Times, September 30, 2010
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