Citings & Sightings of Dante's Works in Contemporary Culture
“Club Inferno, a Glam-Rock Musical based on Dante’s Divine Comedy, is ‘one hell of a good time’, blending sinful women and kick-ass rock with a classic story of the afterlife.” —Thrillpeddlers
The musical, which plays at the Hypnodrome in San Francisco, is put on by Thrillpeddlers and features a cast of characters like Dante, Xaron, and Cleopatra.
Read more about the show at SFGate.
Contributed by Bob Watt
One line of Steve Miller Band’s 1977 single “Jet Airliner” will sound familiar to any reader of Dante’s Divine Comedy:
“You know you got to go through hell before you get to heaven.” —AZ Lyrics
Listen to the full song here.
Contributed by Kelly Clark
“Plenty of music fans could have guessed that David Bowie was a fan of George Orwell’s Nineteen Eighty-Four, since Mr. Bowie once aspired to produce a musical based on the novel. Now we have 99 other book recommendations from the Thin White Duke…”
“Elsewhere, there’s Dante’s Inferno, Homer’s Iliad and The Origin of Consciousness in the Breakdown of the Bicameral Min‘ by Julian Jaynes. As the A.V. Club put it: ‘David Bowie has once again shown that he’s not only far richer, sexier and more fabulous than you, but probably smarter.'” –John Williams, The New York Times, October 1st, 2013
In May 2006, Indiana-based indie-rock/rockabilly group Murder By Death released In Bocca al Lupo, a concept album influenced by Dante’s Comedy. Asked about the connection to Dante’s poem, band front man Adam Turla explained, “In Bocca is a collection of short stories and each song deals with the idea of sin in a different way.” Each track narrates the story of a different character, woven through a pastiche of musical styles and exploring various aspects of sin, death, and transgression.
Read Marisa Brown’s review of the album at AllMusic.com, and Adam Turla’s full interview with Bobby Gorman of ThePunkSite.com here.
From Lyrics Time:
Lick off the shot my stories shock ya like Ellison
Main line adrenaline Gaza to Tienanmen
From the basement I’m dwellin’ in
I cock back tha sling to stone a settler
And breaks him off clean, call me the upsetter
Here comes the hands on the leashes
The cross, the capital, the pale families, the fear and the mouthpieces
The single sista lynch
The cell doors crash
And the master’s drums echo, echo, echo, echo, echo, echo
Roll right! Roll call!
But now we’re alright, we’re all calm!
Roll right! Roll call!
And now we’re alright, we’re all calm!
This hits like fists bomb with the left and don’t miss
With the sickest stilo I spark fear like pigs in the park
Head crack, I hijack the papers
The vapors caught fire up in your mind
Come back rewind one time
Here comes the hands on the leashes
The cross, the capital, the pale families, the fear and the mouthpieces
The single sista lynch
The cell doors crash
And the master’s drums echo, echo, echo, echo, echo, echo
Roll right! Roll call!
But now we’re alright, we’re all calm!
Roll right! Roll call!
We gotta take ’em to tha seventh level
We gotta take ’em to tha seventh level
For their lives and my lives were never settled
Come on, don’t freeze when zero hour comes
Come on, come on, don’t freeze when zero hour comes
Come on
Send ’em to tha seventh level!
Send ’em to tha seventh level!
Send ’em to tha seventh level!
Send ’em to tha seventh level!
For their lives and my lives were never settled
All submissions will be considered for posting. Bibliographic references and scholarly essays are also welcome for consideration.
Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.
