“Unrestrained. That just about sums up Shadows of the Damned. A surreal, indulgent collaboration between Killer7 director Suda51 and Resident Evil creator Shinji Mikami, Shadows of the Damned mixes the personal oeuvre of its creators without much thought for consequence. Stylish but vulgar. Inventive but mechanically routine. Contradictions lie in Shadows’ black heart. The thought of an auteur such as Suda51 embracing an attitude of punk-rock video game making is thrilling, but such exuberance needs channelling. Killer7 was focussed insanity; No More Heroes was shrouded in existential irony. Shadows of the Damned is a mariachi retelling of Dante’s Inferno with knob gags and big guns. You perhaps see the issue” […] –Tom Higgins, The Telegraph, July 05, 2011
Rahul Bhattacharya, “The Sly Company of People Who Care” (2011)
“In the opening paragraph of Rahul Bhattacharya’s first novel, The Sly Company of People Who Care, the unnamed narrator, a former cricket journalist from India, declares his intentions for his life, and thus his story — to be a wanderer, or in his words, ‘a slow ramblin’ stranger.’ That rambling, through the forests of Guyana; the ruined streets of its capital, Georgetown; and out to the borders of Brazil and Venezuela, constitutes the novel’s central action. But its heart lies in the exuberant and often arresting observations of a man plunging himself into a world full of beauty, violence and cultural strife.
It’s impossible, reading Bhattacharya, not to be reminded of V. S. Naipaul, even if he weren’t referred to several times throughout the story. Naipaul defined the lonely, empty middle ground occupied by the descendants of Indian immigrants living in Africa and the Caribbean who no longer belong to any nation. Bhattacharya’s narrator, despite having been born and raised in India, occupies similar territory, having given up on his country and the identity that was supposed to come with it. By and large, though, the similarities end there. Unlike Naipaul’s disillusioned protagonists, who stand perpetually outside the world they live in, Bhattacharya’s narrator is thoroughly invested in Guyana and its striking blend of cultures, born out of colonization, slavery and indentured servitude. If anything, he is more reminiscent of Dante in the case of the Commedia, a careful listener and observer who, while in exile, faithfully records the stories that come his way.” [. . .] –Dinaw Mengestu, The New York Times, May 13, 2011
“The Classics as the Antidote to Modern Malaise”
“. . . Though brief, this is an ambitious book, offering insightful readings of authors including Homer, Dante, Descartes and Kant, as well as the novelists Herman Melville and David Foster Wallace. Mr. Dreyfus and Mr. Kelly believe that great books are the ‘gathering places’ where the major forces of a culture are focused, and so they are able to chart our descent from Homer’s gratitude before many gods to Wallace’s paralysis before a plethora of choices. . .
Great books are there to reconnect us. Mr. Dreyfus and Mr. Kelly admire Dante’s focus on the saving power of various forms of desire, but find that his ultimate emphasis on the overwhelming bliss of contemplating God ‘makes all other earthly joys irrelevant.’ Dante’s achievement turns out to be ‘not the answer to nihilism but another step in its direction.’ Similarly, the philosophical focus after Descartes and Kant is on the autonomous self as the basis for knowledge, but the authors explore how the idea of a human subject able to bestow meaning on inert objects winds up undermining our openness to the world.” [. . .] –Michael Roth, The New York Times, January 3, 2011
Peter Nathaniel Malae, “What We Are” (2010)
The protagonist of the novel, Paul, names a book of poetry after his girlfriend, Beatrice La Dulce Shaliqua Schneck “and after Dante’s muse, presumably because he, too, was a poet who made his fame in hell.” [. . .] –Fiona Maazel, The New York Times, March 18, 2010
Prof. Teodolinda Barolini on EA’s “Dante’s Inferno” Video Game
See also: “Abandon All Poetry, but Enter Hell With an Attitude” by Dave Itzkoff, The New York Times, January 29, 2010
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