See the whole “Dante Alighieri racconta la politica” Facebook page here (last accessed January 13, 2021).
Lawrence M. Ludlow, “Dante’s Divine Comedy and the Divine Origins of the Free Market”
“We already are familiar with the Marxian social gospel that is so popular among many current theologians and their followers. In the verses I will cite, Dante himself voices an understanding of the marketplace that shares this erroneous communitarian view of economics. In particular, he describes his adherence to what is known among libertarians as the fallacy of zero-sum economics. Those who hold the zero-sum view claim that in a free marketplace, the gains of one participant are exactly balanced by the losses of another. If the total of the gains and losses are added up, the sum will be zero. In other words, if the sum total of all wealth were embodied in a single chocolate cake, one person’s share of cake would be another’s loss. Furthermore, the addition of each new market participant requires the slicing of thinner and thinner pieces of this cake. We libertarians, of course, despise this theory. If it were correct, the seven billion inhabitants of planet Earth would now be sharing and dividing infinitesimally small pieces of the very same chocolate cake that was first made available in the mists of Mexican pre-history. If such were true, I frankly wonder if there would be so much as a single calorie available to any of us – and very stale calories at that. Furthermore, the current spectacle of American obesity appears to belie this interpretation without my assistance.
“But as soon as Dante expresses his zero-sum analysis of marketplace economics, Virgil – who acts as Dante’s divinely appointed guide throughout his journey down into the Inferno and during his wonderful ascent of the Purgatorio – immediately upbraids him and provides the correct alternative, an unabashed free-market perspective. In Dante’s poem, this perspective is a reflection of the divine perspective of God. Let’s now examine the text itself.” [. . .] –Lawrence M. Ludlow, Strike The Root, May 14, 2013.
“Dante’s Inferno-Identity Politics in Morality”
“As a quick rundown of the circles of hell, from least bad to worst, there’s: Limbo, Lust, Gluttony, Greed, Wrath, Heresy, Violence, Fraud, and finally Treachery. Now what’s particularly interesting here is that, according to Dante, it would seem to be worse to be a flatterer or a corrupt politician than a murderer. Misrepresenting your stances about people or politics is bad bad bad in Dante’s book.
“More interesting still is the inner-most circle: Treachery. Treachery seems to represent a particular kind of fraud: one in which the victim is expected to have some special relationship to the perpetrator. For instance, family members betraying each other seems to be worse than strangers doing similar harms. In general, kin are expected to behave more altruistically towards each other, owing in no small part to the fact that they share genes in common with one another. Helping one’s kin, in the evolutionary-sense of things, is quite literally like helping (part of) yourself. So if kin are expected to trade off their own welfare for family members at a higher rate than they would for strangers, but instead display the opposite tendency, this makes kin-directed immoral acts appear particularly heinous.” –Jesse Marczyk Ph. D., Psychology Today, 2014
Read the full article here.
Alessandro Barbero’s “Lezione su Dante e il Potere” (2020)
“Grazie alla consolidata collaborazione con la Casa Editrice Laterza, la Fondazione del Teatro Grande propone per questa Stagione una speciale Lezione di Storia che vede protagonista Alessandro Barbero, storico e scrittore italiano tra i più acclamati degli ultimi tempi. Domenica 18 ottobre alle 15.30, anticipando gli eventi legati alle celebrazioni per i 700 anni dalla morte del Sommo Poeta, il Professor Barbero darà vita a una imperdibile Lezione sul tema “Dante e il potere.” Un incontro che insisterà soprattutto sulla grande passione di Dante per la politica.
“Oltre alla poesia, e a Beatrice, la politica è stata la passione dominante di Dante. Non solo la politica fatta di riflessione teorica e di alti ideali, ma quella concreta e sporca, fatta di gestione del potere, di lotte fra correnti, di disciplina di partito e di appoggio agli amici, di interventi in aula e di votazioni pilotate, di scelte drammatiche e di espedienti meschini. Alla fine della sua carriera lo aspettava un processo – politico anch’esso – per malversazioni e abuso di potere, un processo che gli sarebbe costato l’esilio, e grazie a cui noi oggi abbiamo la Commedia.
“Alessandro Barbero è considerato uno dei più originali storici italiani ed è noto al largo pubblico per i suoi libri – saggi e romanzi – e per le sue collaborazioni televisive. Studioso di prestigio, insegna Storia medievale presso l’Università del Piemonte Orientale, sede di Vercelli.” [. . .] —QuiBresica.it, October 14, 2020
Final Chapter of Adam Buenosayres: “A Journey to the Dark City Cacodelphia” (1948)
“A modernist urban novel in the tradition of James Joyce, Adam Buenosayres is a tour-de-force that does for Buenos Aires what Carlos Fuentes did for Mexico City or José Lezama Lima did for Havana – chronicles a city teeming with life in all its clever and crass, rude and intelligent forms. Employing a range of literary styles and a variety of voices, Leopoldo Marechal parodies and celebrates Argentina’s most brilliant literary and artistic generation, the martinfierristas of the 1920s, among them Jorge Luis Borges. First published in 1948 during the polarizing reign of Juan Perón, the novel was hailed by Julio Cortázar as an extraordinary event in twentieth-century Argentine literature. Set over the course of three break-neck days, Adam Buenosayres follows the protagonist through an apparent metaphysical awakening, a battle for his soul fought by angels and demons, and a descent through a place resembling a comic version of Dante’s hell. Presenting both a breathtaking translation and thorough explanatory notes, Norman Cheadle captures the limitless language of Marechal’s original and guides the reader along an unmatched journey through the culture of Buenos Aires. This first-ever English translation brings to light Marechal’s masterwork with an introduction outlining the novel’s importance in various contexts – Argentine, Latin American, and world literature – and with notes illuminating its literary, cultural, and historical references. A salient feature of the Argentine canon, Adam Buenosayres is both a path-breaking novel and a key text for understanding Argentina’s cultural and political history.” [. . .] –Amazon, April 1, 2014.
- « Previous Page
- 1
- …
- 6
- 7
- 8
- 9
- 10
- …
- 18
- Next Page »
