“The insurance appraiser in the Season 5 episode ‘Basic Story’ of Community recites from Paradiso XVII.58 as he climbs the short staircase in the entrance of Greendale Community College: ‘And you shall find that salt is the taste of another man’s bread, and hard is the way up and down another man’s stairs.’” —Wikipedia
Donna Distefano’s “The Love That Moves the Sun and the Other Stars” Ring
“I created a one-of-a-kind ring inspired by Dante’s The Divine Comedy, Paradiso, Canto 33, The Final Vision. I’ve studied The Divine Comedy in both English and Italian and have always loved the way the poem combines so many seemingly disparate elements: mythology, realism, love, judgment, geometry, and astronomy to name a few. In Canto 33, Dante faces God and sees ‘the Love that moves the sun and the other stars.’ It is the moment when his life on earth intersects with his life outside of this earth.” –Donna Distefano
The ring, which features pieces of actual meteorite, was featured in the exhibit “Out of this World: Jewelry in the Space Age” at the Tellus Science Museum in Cartersville, Georgia (November 7, 2020 – October 24, 2021). In Style magazine did a piece on it, too (see image below).
See also our previous post on Distefano’s “Elixir of Love” ring.
Contributed by Donna Distefano
Jews in Dante
“This year, commemorations of the 700th anniversary of the death of the Italian poet Dante Alighieri, author of The Divine Comedy, have scarcely addressed the subject of how Dante wrote about Jews.
“Dante places a number of Old Testament Jews, including Abraham, Sarah, Rachel and Joshua in Paradise. Because some of the limited space is left empty there for Christians, the complement of Jews who prefigure the New Testament is full; so there are, at least temporarily, more Jews in Dante’s Paradise than Christians.
“Dante’s Purgatory includes the story of Mordecai and Haman to decry the sin of anger, whereas Daniel is praised for his temperance. In his Paradise, Dante likewise lauds Joshua and Judas Maccabeus as combatants for righteousness, while King David and Hezekiah from the Second Book of Kings and Second Book of Chronicles are exalted as just monarchs.” […]. –Benjamin Ivry, The Forward, July 18, 2021
See the rest of this essay for many more references to Jews in Dante’s works, and Jews who have cited Dante as inspiration for their work and thought. It is debatable, however, that there are no Jews in Inferno.
Seth Steinzor, In Dante’s Wake (3 volumes)
“In Dante’s Wake is a journey in poetry through the moral universe, from blinkered evil to heaven’s networks by way of the muddled-up places in between.
“Once Was Lost, the third and final volume of the trilogy, finds heaven on a North Atlantic beach, beginning with a breakfast of fried claims at sunrise, moving through encounters with people whose lives have been a blessing to humanity, and ending in a series of visions of psychedelic strangeness and power.” —Seth Steinzor’s Website
Fomite Press published Steinzor’s Once Was Lost on June 18, 2021. Each of the three volumes of In Dante’s Wake revisits one canticle of Dante’s Commedia: To Join the Lost (Hell), Among the Lost (Purgatory), and Once Was Lost (Paradise). See our previous post of Steinzor’s To Join the Lost here.
Contributed by Seth Steinzor
Dante Alighieri’s COVID-19
“‘Lasciate ogni Speranza, voi ch’entrate.’ Abandon all hope, ye who enter.
“The words inscribed on the gates of hell, according to Dante Alighieri in the Divina Commedia, could be the best way to describe the tumultuous year we have experienced so far…
“The COVID-19 world crisis has shed light into how broken some systems are, how a social net would have helped the ‘most developed country in the world’ be the hero it is in the Hollywood movies.
“Instead, residents of the United States find themselves trapped in a hell only known to them and a select group of countries, like Brazil and Mexico. We currently have no Virgil that will guide us through the complex planes of hell. At this rate, Dante would have never gotten out of the Inferno to ever meet the concentric circles of the Paradiso.” […] –Jorge Luis Galvez Vallejo, Iowa State Daily, July 30, 2020
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