“I must confess, and not in a catholic kind of way, because that kind of on your knees religion has nothing to do with the uproarious show, BenDeLaCreme’s Inferno-a-Go-Go currently damning us all to hell at the Laurie Beechman Theatre in Hell’s Kitchen, naturally. But it does have a lot of a lot to say about the other kind of on-your-knees kinda praying. My confession revolves around the simple fact that I do not watch RuPaul’s Drag Race, nor have I ever heard of one of the most well known contestants, the heavenly smart and witty BenDeLaCreme, the creator/performer/writer and all around mastermind of the show. I only came to this show because one of my best friends was sitting next to me when I got the press invite, and he squealed like an excited pig when I asked him if I ever heard of a creature called BenDeLaCreme. (I can write this statement, because I’m pretty darn sure he’ll never read this review as there are just far too many words for his liking.)” [. . .] –Ross, Times Square Chronicles, May 25, 2018
The Nine Circles of DMV Hell
“Dante has nothing on Jason Greene, who stood in line at the DMV for an entire day… With three kids.
“Dante once wrote that Hell had nine circles within its depths. Dante’s Inferno is an amazing literary work that describes in great detail the horror of a place where no person wishes to go. Dante must have been inspired by a trip to the local DMV.
“We recently bought a new vehicle and we needed to get new plates. The month had been difficult and harried and we didn’t get the title from the dealership until our temporary tags were almost set to expire. Unfortunately, only a short time before, I lost my wallet and everything in it. I ordered a new license, but since it had not arrived and the tags were set to expire the next day, we had no choice but to try to register without it. The story gets more complicated; my wife had to leave town at the last minute for business and the title is in both of our names.
“Now, none of that should have been a problem. Before my wife left, she signed all the necessary paperwork, including a form that gave me the right to make all decisions on her behalf. We even had contacted the DMV to make sure that we were walking in with all the correct paperwork and to verify that I could do the deal without a license. They assured us that all would be fine.” [. . .] –Jason Greene, The Good Men Project, September 15, 2012.
All was not fine for Jason Greene at the DMV. Read Greene’s account of the circles of DMV Hell here.
Satan To Add East Ave Wegmans Parking Lot As Tenth Circle Of Hell
“’You know, the minute I drove into the east avenue Wegmans parking lot, I knew it was a match made in hell. Seriously, it has to be one of the most disorganized, chaotic messes I’ve ever seen or had to be apart of! This is coming from a guy who single-handedly created the bubonic plague! I mean I love Wegmans, don’t get me wrong, but were they trying to create a new circle of hell for me? It feels like it, you know I thought the circle of gluttony and lust was a pretty raw deal, but I can’t wait to see the face on some of the newcomers when they realize they’re stuck in a never-ending bumper to bumper of the Wegmans parking lot. Very excited for this new addition and I can’t wait to hear some of the feedback from the regulars’” [. . .] —The Inner Loop, February 13, 2017.
Inferno by Franz von Stuck (1908)
Inferno. Franz von Stuck (1908)
Oil on canvas.
The Metropolitan Museum of Art, New York City, NY
“This painting’s title refers to Dante Alighieri’s medieval epic of a journey through hell. Although Stuck employed traditional symbols of the underworld—a snake, a demon, and a flaming pit—the dissonant colors and stylized, exaggerated poses are strikingly modern. He designed the complementary frame. Stuck’s imagery was likely inspired by Auguste Rodin’s The Gates of Hell, particularly the figure of The Thinker (see related works nearby). When Inferno debuted in an exhibition of contemporary German art at The Met in 1909, critics praised its ‘sovereign brutality.’ The picture bolstered Stuck’s reputation as a visionary artist unafraid to explore the dark side of the psyche.” —The Met on Franz von Stuck’s Inferno.
To see the artwork that von Stuck was influenced by with this piece, check out The Met’s website.
Nine Circles of Columbia Hell
Artwork by Charlotte Voelkel/Head Spectrum Illustrator, Columbia Daily Spectator, March 30, 2016
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