“In Scudorama eight dancers, wearing street clothes and bright leotards and using beach towels as shrouds (with sets and costumes designed by the artist Alex Katz), disintegrate into ravaged forms. Like shifting shadows they crawl across the floor in jagged bursts of bewilderment, emptiness and rage. The dance’s accompanying program note, from Dante, begins with ‘What souls are these who run through this black haze?’ For Mr. Taylor, those words refer to the ‘lost souls in purgatory, because they hadn’t done anything good and they hadn’t done anything bad.'” [. . .] –Gia Kourlas, The New York Times, February 13, 2009
Robert Talpin, “Everthing Imagined is Real (After Dante)” (2009)
“Winston Wachter Fine Art is pleased to announce the opening of Robert Taplin’s new show entitled Everything Imagined is Real (After Dante), on exhibit from January 8 – February 7, 2009. Taplin’s last exhibition at Winston Wachter included tabletop sculptures that depict the everyday with imagined realities. His newest work, again incorporates the strange with familiar while portraying the 14th century classic, Dante’s Inferno, in nine cantos.
Dante’s epic poem is filled with allegory, symbolism and a balance between Dante’s perceived reality and dreams. The first nine cantos follow Dante in his journey through the nine circles of Hell, lead by the Roman poet Virgil. While working with a clear narrative from Dante, Taplin infuses the works in this exhibition with contemporary nuances and situations as well as personal references. For example, in canto IV, Taplin explains that he has constructed an exact replica of his old house as the backdrop for the scene. Taplin displays each diorama from a different vantage point allowing the viewer to either peer into an intimate domestic scene or be confronted with wide-screen drama. He highlights Dante’s role in the narrative by portraying his figure in full color. The rest of the characters and figures, including Beatrice and Virgil, are cast in resin and shown void of color.” —Winston Wachter
“Robert Taplin’s Everything Real Is Imagined (After Dante) consists of nine sculptures, each referencing scenes from Dante’s Inferno as modern allegories of political strife. Taplin’s story begins as Dante’s does with the uncertain sense of whether or not we are in a dream or reality. Thus My Soul Which Was Still In Flight (The Dark Wood) depicts Dante, as a modern-day everyman, rising from bed to start his journey. As Talpin’s story unfolds, things become more complicated. The third canto of Dante’s Inferno brings Dante and Virgil to the River Acheron in order to cross into the First Circle of Hell. In Across The Dark Waters (The River Acheron), Taplin takes this iconic scene and turns it into a metaphor for the refuge crisis, representing people trying to cross waters, unknowing, just like Dante, of what awaits them upon their arrival. Taplin’s cycle ends with Dante mourning the fall of civilization — in We Went In Without a Fight (Through The Gates of Dis), Dante stands witness to a city destroyed, mourning both life on earth and what may await down below.” —MASS MoCA
Contributed by Patrick Molloy; Katherine Gagnon (Colby, ’11)
Dante Park, Columbus Ave and W 63rd St., NYC
(photo by Steven Maginnis)
“The New York branch of the Dante Alighieri Society had intended to erect a Dante monument on the occasion of the 50th anniversary of Italian unification in 1912. Carlo Barsotti, editor of Il Progresso (the first Italian daily newspaper in the United States), urged subscribers to contribute towards the creation the statue. . . The monument was dedicated that year, which was the 600th anniversary of Dante’s death. . .In 1921 the south portion of Empire Park was officially renamed by the Board of Aldermen for Italian poet Dante Alighieri (1265-1321).” [. . .] —NYC GovParks
Caffe Dante, 79-81 Macdougal Street, NY, NY
“Treat yourself to a taste of Italy in the heart of Greenwich Village at Caffe Dante in New York, New York. Since 1915 our cafe has been a place for people from all over to relax and enjoy freshly brewed espresso and cappuccino, which we import directly from Naples. All of our desserts including the pastry and gelato and made right on the premises to ensure freshness. On nice days sit outside and soak up the sun while you enjoy one of our many sandwiches, salads, or cold platter appetizers from our menu, along with a drink from our full-service bar.” —Caffe Dante
Contributed by Guy Raffa
“Sex and the City” the Movie (2008)
Samantha’s handsome neighbor “Dante” inspires her to think she’s going to Hell just for looking at him.
