Citings & Sightings of Dante's Works in Contemporary Culture
“An Illinois federal judge invoked the poet Dante in a description of fee litigation as an ‘inner circle of judicial hell’ as he imposed a $2.5 million attorney fees sanction for discovery violations in long-running trademark dispute between rival e-cigarette companies.” — Carolyn Muyskens, “Judge Invokes Dante’s Inferno In $2.5M Sanctions Order,” Law360, October 7, 2022.
“Of this work, Schroeder writes: ‘After reading The Divine Comedy, I was interested in having my own version of Hell and its different circles… I wanted my version more like a play than a painting. I wanted to describe all the mixed feelings in Hell: justice, tears, cries, desperation, evil, suffering, redemption and sorrows. For me, Hell is not necessarily black and dark… The use of colors is also to illustrate the three parts of the poem: Hell, Purgatory and Heaven. My Inferno becomes a ballet where souls, evils, judgments and penalties are mixed… Maybe we can be better and win our place in Heaven walking through the Good and The Bad. Our souls can be delivered from evil through this long and hard journey. My Inferno is a theatre, a global vision of Hell and its circles, but also a sacred song of redemption.'” —Artistic Interpretations: Frank Schroeder, Cornell University Library’s Visions of Dante Exhibition, curated by Andrew C. Weislogel and Laurent Ferri (2021; retrieved October 26, 2022)
[. . .] “There are circles of hell for men such as Trump, and also for their enablers. For people who ought to know better but who go along with the inane, violent, crooked impulses of The Boss for reasons of political expediency. Barr is one such man.
“Dante reserved an entire section of hell for opportunists. Such people would, he wrote, be condemned to chase banners, and in turn to be chased by hornets and wasps, for all eternity.
“And this blind life of theirs is so debased,
They envious are of every other fate.
No fame of them the world permits to be;
Misericord and Justice both disdain them.” –Sasha Abramsky, The Abramsky Report, April 27, 2019
Irish printmaker Liam Ó Broin completed a series of 100 lithographs based on Dante’s Commedia in honor of the 700th anniversary of the poet’s death in 2021. The lithographs are currently available to view in an online exhibit sponsored by the Centre for Dante Studies in Ireland (CDSI).
“Dante’s search on his journey was to go to the depths of the human imagination. In that journey he reveals himself as one who has a deep understanding of the nature, and importantly, the necessity of the human scheme of community. He also reveals, however flawed the mechanism from a political aspect was at the time, a very clear understanding of the way a city state, and by extension a nation, needs to be structured as an entity for good government – its core must be social justice. Here we have Dante the poet, Christian, philosopher and politician – fused into one.” –From the Artist’s Statement.
Read more about Liam Ó Broin’s career at the artist’s personal website.
View our previous post on Ó Broin’s 2012 Inferno exhibition at Graphic Studio (Dublin) here.
We extend our great thanks to the artist for permission to reprint the image above.
All submissions will be considered for posting. Bibliographic references and scholarly essays are also welcome for consideration.
Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.
