“David Bowie was a voracious reader and made a list, three years before he died, of the 100 books that had changed his life. These had fuelled his creativity, shaped who he was, and they provide a new way of understanding him. For each book, John O’Connell provides a short, insightful essay and pairs it with a Bowie song. Perhaps surprisingly, only eight books are concerned directly with musical subjects, while 12 relate to various aspects of the visual arts. Some are about mental illness; his half-brother Terry had schizophrenia and died by suicide and Bowie battled depression. There are some interesting poetry choices such as Dante’s Inferno and Homer’s Iliad. Of the eclectic novel collection, some are predictable but many are certainly not, and black people’s and outsiders’ experiences characterise the non-fiction.” [. . .] —Brian Maye, The Irish Times, March 7, 2020.
Gojira, “Inferno” (2003/2020)
“Gojira may have put the brakes on the new full-length album that was rumored for release this year, but that doesn’t mean 2020 will be completely devoid of new music from the French foursome: the band has posted a new live performance video, shot at the Duplantier brothers-owned Silver Cord Studio in New York City, of a previously unreleased song called ‘Inferno,’ originally written in 2003.
“The song was inspired by the 1925 film Maciste All’inferno, which also happens to be the name of a live recording Gojira made in 2003 while playing along to that very movie. Wikipedia tells us that the album was recorded live while a projection of the film was running at the Rock School Barbey in Bordeaux, France, on May 29, 2003. That recording, which was never officially released, ran for 50 minutes and consisted of 15 individual tracks, while the selection Gojira have released today is just under four minutes — maybe it’s one of those 15.” [. . .] –Vince Neilstein, “Gojira Post Previously Unreleased Song, ‘Inferno’,” MetalSucks (October 30, 2020)
Watch the video on YouTube.
Contributed by Pete Maiers
Rauschenberg’s Dante in the Time of Pandemic
“Dante’s three-part epic poem portrays the journey souls take after death. Essentially a socio-economic commentary on Florentine life, with strong moral undertones and focus on the human condition, its themes can be adapted to any time. Today, in the face of Covid-19, the 700-year-old Commedia resonates strongly. Now is a perfect time to reflect on the work through its visual depictions. Although countless artists have illustrated the work since its medieval publication – Sandro Botticelli, Gustave Doré, and John Flaxman, to name a few – modern artists have shown how its relevance lives on to this day. Perhaps the most progressive modern rendering of Dante’s epic to date is seen through the work of artist Robert Rauschenberg (1925-2008).
“Dante is ambiguous in his writing on the Sodomites, reflecting the reticence surrounding the subject of homosexuality in his day. Rauschenberg mirrors this ambiguity in his illustration with an empty speech bubble beneath a red outline of his own traced foot. The tracing inserts Rauschenberg into the narrative just as Dante the Poet occasionally appears in the text, separate from Dante the Pilgrim, a personal touch that is seldom seen in Commedia illustrations.” [. . .] —Flora Igoe, The Art Story Blog, 2020
See Rauschenberg’s full Inferno series here.
“Dante’s Inferno Films World Premieres Take Over Italy”
“Dante’s Hell and Inferno Dantesco Animato, both films produced and directed by Boris Acosta, will premiere at MIA (Rome film festival market) on October 17, 2020, and later on will have its world festival premiere at the Ravenna Nightmare Film Festival on October 31, Halloween Day and will continue on to November 8, 2020.
Both films are based on Inferno, Dante Alighieri’s first part of the literary masterpiece, The Divine Comedy. Not until now, has this story been told so descriptively by visual art from artists of the highest caliber and an array of celebrities and known scholars.”[. . .] –Global Film Sales, WFMZ-TV News, 2020
See also related discussion here.
Illustration by Denis Forkas (2015)
“Study for Hypocrites (illustration for Divine Comedy by Dante Alighieri/Inferno, Canto 23), after Francisco Goya after John Flaxman,” 2015
“We found, down there, a people painted bright.
Their tread, as round they went, was very slow,
weeping, worn down and seemingly defeated.”[. . .] —Study for Hypocrites, denisforkas.com, 2015
(trans. R. Kirkpatrick)
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