This Italian progressive rock band released “Inferno” in 1972 and, 32 years later, “Paradiso.” The album tracks correspond with Dante’s journey through the afterlife, although in some cases the musicians did alter some of the sins punished in hell.
HIM, “Venus Doom” (2007)
“‘Venus Doom’ is said to have multiple layers, ranging from beautiful melodies to crunchy guitars–a contrast that HIM was striving for. The idea to have nine songs was based on Dante’s Inferno, ’cause hell has nine layers, so it’s like going deeper down into hell and then coming back,’ [band’s frontman] Valo said.” —Live Daily (retrieved July 7, 2009)
Ty Templeton, “Stig’s Inferno” (1980s)
This 1980s series ran for 8 volumes and was loosely based on Dante’s Inferno. See the full book at Templetons.
Nick Reding, “Methland: The Death and Life of an American Small Town” (2009)
“Think globally, suffer locally. This could be the moral of Methland, Nick Reding’s unnerving investigative account of two gruesome years in the life of Oelwein, Iowa, a railroad and meatpacking town of several thousand whipped by a methamphetamine-laced panic whose origins lie outside the place itself, in forces almost too great to comprehend. . .
In the grisliest passage of Methland, which deserves to be quoted at some length so as to convey its hellish momentum, he invites us to share in the torments of Roland Jarvis, a paranoid small-time meth cook, in the Dante-like interlude after the combustion of his improvised home lab (just one of hundreds in the area).
‘Jarvis looked down and saw what he thought was egg white on his bare arms. It was not egg white; it was the viscous state of his skin now that the water had boiled out of it. Jarvis flung it off himself, and then he saw that where the egg white had been he could now see roasting muscle. His skin was dripping off his body in sheets. . . . He’d have pulled the melting skeins of skin from himself in bigger, more efficient sections but for the fact that his fingers had burned off of his hands. His nose was all but gone now, too, and he ran back and forth among the gathered neighbors, unable to scream, for his esophagus and his voice box had cooked inside his throat.'” [. . .] –Walter Kirn, The New York Times, July 1, 2009
Ruth Virkus and Brenna Jones, “Dawn’s Inferno — A Divine Comedy” (2009)
“Midway through her life’s journey, Dawn Ahlgren finds herself in a dark wood… Darkwood, Minnesota. Returning to her hometown for her 10 year high school reunion, Dawn finds herself trapped in the Inferno Bar and Grill, surrounded by classmates determined to prove that hell is indeed other people.
The Flowershop Project, a new theater company based in Minneapolis, is excited to be premiering this original script by company members Brenna Jones and Ruth Virkus. Featuring an original soundtrack by SvenErik Olsen, and based on The Inferno by Dante Alighieri, Dawn’s Inferno is an innovative and hilarious update of Dante’s classic trip through Hell, re-invented as another kind of divine comedy.” —The Flower Shop Project
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