The New York Times Magazine published an illustrated column, “Dante at the Beach,” in August 2015. An interpretation of Dante’s levels of hell, the column is from Christoph Niemann’s Abstract Sunday.
To see the whole column, click here.
Citings & Sightings of Dante's Works in Contemporary Culture
The New York Times Magazine published an illustrated column, “Dante at the Beach,” in August 2015. An interpretation of Dante’s levels of hell, the column is from Christoph Niemann’s Abstract Sunday.
To see the whole column, click here.
“Club Inferno, a Glam-Rock Musical based on Dante’s Divine Comedy, is ‘one hell of a good time’, blending sinful women and kick-ass rock with a classic story of the afterlife.” —Thrillpeddlers
The musical, which plays at the Hypnodrome in San Francisco, is put on by Thrillpeddlers and features a cast of characters like Dante, Xaron, and Cleopatra.
Read more about the show at SFGate.
Contributed by Bob Watt
As of August 19, 2015, it seems that Warner Bros. has bought a pitch for an Inferno film from screenwriter Dwain Worrell. Read more on Deadline.
Contributed by Tessa Smith, Stanford University ’18
The new music video for David Gilmour’s song “Rattle That Lock” is full of references to the Comedy : included are a nod to Gustave Doré’s image of Bertran de Born, and the wood of the suicides.
Watch the video on YouTube here.
Contributed by Lance Dillahunt
All submissions will be considered for posting. Bibliographic references and scholarly essays are also welcome for consideration.
Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.