“These amazing little candies are hand forged by demons in the third circle of hell.” —Firehouse Pantry
Contributed by Lisa Flannagan
“The Temperature of Hell, a Colloquium”
“According to the best scientific data currently available, both the average and the mean temperatures of Hell have risen 3.8 degrees since 1955. Although an increase of this size may seem insignificant, especially to those not spending eternity there, the reality of the situation is quite different when experienced in concrete terms. For example, occupants of Hell who in 1955 were standing night and day in boiling pitch up to their knees report that, owing to the expansion of pitch at higher temperatures, they now must endure the torment all the way up to mid-thigh, or even higher, during Hell’s warmer seasons. Condemned souls who have to lie on their backs chained to a flat rock while a white-hot sheet of iron is lowered to within inches of their faces have stated that the rise in Hell’s ambient temperature now makes the iron seem much closer to their faces than it actually is.
Former Vice-President Al Gore, who was among the first to raise concerns about this problem, convened an interdisciplinary gathering in December of 2008 to discuss some of Hell’s climate issues and how we might begin to address them.” [. . .] –Ian Frazier, The New Yorker, July 20, 2009
Contributed by Elizabeth Ann Coggeshall (Stanford University)
Hell on Earth
“In Grand Cayman, Dante’s Inferno comes to life in the form of jagged, black limestone formations that rise from dark, still waters. This creepy but artful landscape, which you cannot trek on but instead view from platforms, deserves its name: Many of the rocks, some resembling stalagmites, are sharp and menacing.” […]
“The more curmudgeonly among us might call the holidays, to (mis)quote David Foster Wallace, “a sneaky keyhole view of hell.” These days, hell is whatever we want it to be: other people (Sartre), ourselves (Oscar Wilde), a half-filled auditorium (Robert Frost). So much of our idea of hell comes from literature, rather than religion–Dante’s and Milton’s allegories, in particular–it’s hard to imagine a time when hell was more geological than metaphorical. Not so long ago, it was thought to be a real physical place beneath the earth’s crust with secret entrances in caves, volcanoes, underground rivers, and bubbling pools of boiling mud.” [. . .] –Megan Cytron, Salon, December 26, 2010
Seymour Chwast’s Adaptation of Dante’s Divine Comedy (2010)
“‘I, Dante, will tell you the story of my trip to the after world… but will I come back?’ So begins Seymour Chwast’s noirish graphic adaptation of what is perhaps the world’s most famous tale of spiritual tourism, the Divine Comedy. The list of artists who have tried their hand at visually interpreting Dante’s epic is both long and distinguished, but it would be safe to say that Chwast, a co-founder of Push Pin Studios and a longtime contributor to The New Yorker, may have had the most fun with the subject since Dante himself. . .
The book is more than an original take on Dante, though. It also represents Chwast’s fresh take on the graphic novel. Chwast eschews the expected rhythm of comic panels in favor of stunning drawings that leap and tumble all over the page. One of my favorite moments is a glorious two-page spread depicting the Emperor Justinian and a chorus line of flappers and vaudeville performers as they dance a welcome to Dante (and us) across a divine expanse. Justinian, of course, is dressed to the heavenly nines in a nineteen-thirties-style pinstripe suit, vest, and bow tie, and is sporting what one can only assume is his trademark pencil mustache.” –Jordan Awan, The New Yorker, November 15, 2010
A Christmas Present for Virgil
(source unknown – retrieved on December 5, 2010)
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