“Ahayweh Gate, the first level, is named for the phrase ‘Abandon hope, all ye who enter here’ from Dante’s Divine Comedy.” —ClassicReload, January 7, 2016
Learn more about Parallax Software’s 1996 video game Dark Descent II here.
Citings & Sightings of Dante's Works in Contemporary Culture
By lsanchez
“Ahayweh Gate, the first level, is named for the phrase ‘Abandon hope, all ye who enter here’ from Dante’s Divine Comedy.” —ClassicReload, January 7, 2016
Learn more about Parallax Software’s 1996 video game Dark Descent II here.
By lsanchez
“When Braun Strowman arrived at the Swamp, there was a sign that read ‘Abandon All Hope Ye Who Enter Here’ which could be a hint about the Firefly Fun House.” –Phillipa Marie, Sportskeeda, July 20, 2020
By lsanchez
“This boss is quite famous in the community, and for understandable reasons! It has many deadly attacks at its disposal, Blue Blazes hits an entire union, Hellfire hits all characters in range, and it can use either of these at the beginning and end of any turn, which will annihilate your morale bar.” –Lemmy, YouTube, December 20, 2018
Learn more about Square Enix’s 2008 video game The Last Remnant here.
By lsanchez
“After Beyond the Castle’s success, we embarked in a new project that celebrates Italian culture. Together with the most prestigious school of Milan, the Collegio San Carlo, we created a new virtual reality experience that focuses on Dante’s Divine Comedy. In The Hell’s Gate students can embody Dante and walk through the dark forest. This will allow them to approach this masterpiece in an innovative and engaging way.” —Beyond the Gate, 2019
By lsanchez
“There was the endeavour to untangle knots — truth and lie, sin and redemption, piety and lust. There was always the goal to risk all for truth. Take this tercet from Dante Alighieri:
‘When truth looks like a lie,
a man’s to blame
Not to sit still, if he can, and
hold his tongue,
Or he’ll only cover his
innocent head with shame.’
“Scribes and great TV anchors, who can give a spin to any development, should heed the lines. We need to take sides when truth stares you in the face. In Canto III, some angels did not take sides when Satan revolted, but timorously sat on the fence. They were placed lock, stock and barrel in Hell. The colourless mediocrities most of us are, get short shrift. He talks about the ‘sorry souls who won neither praise nor blame for the lives they led’. Of course, the first words we learnt of Dante’s Inferno, as students, were ‘All hope abandon, ye who enter here’, the inscription on the gates of Hell. During the lockdown, I thought that the three translations of Dante I possess should be put to good use. One hoards books and never reads them, though 20 years back I had read Dorothy Sayers’ fine translation of Inferno my father had left me. Michael Palme’s translation is better. What Dante did was mind-boggling. The entire European civilisation was placed before the reader, from Greek legends onwards. You have a full canto on the Dis, which is his word for the underworld. The river Lethe, Acheron the boatman who herds the souls who drop: ‘So from the bank there one by one drop all… As drops the falcon to the falconer’s call.’ The eighth circle gets flatterers (half our political parties would be in trouble, praising the 8 pm lockdowns, or the two-line denunciations by Rahul G). There are also soothsayers in the same circle (good grief, our Chandraswamis with red tilaks and rudraksh malas!). Actually, you can’t honestly exclude we Indians from any inferno you can devise.” –Keki Daruwalla, The Tribune, August 2, 2020
All submissions will be considered for posting. Bibliographic references and scholarly essays are also welcome for consideration.
Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.