“You said yourself, ‘Abandon hope all ye who enter here.’ But I’m not Dante, and you’re not Vergilius.”
Learn more about Capcom’s 2012 video game Resident Evil: Revelations here.
Citings & Sightings of Dante's Works in Contemporary Culture
By lsanchez
“You said yourself, ‘Abandon hope all ye who enter here.’ But I’m not Dante, and you’re not Vergilius.”
Learn more about Capcom’s 2012 video game Resident Evil: Revelations here.
By lsanchez
From Volume 2, Chapter 10, in Fuyumi Soryo’s 2005 manga series Cesare, which makes extensive reference to the Divine Comedy.
By lsanchez
“Eagle-eyed viewers of Code Geass R2‘s first episode may have spotted that Lelouch is reading Dante’s Divina Commedia while Rollo gives him a lift. (As a child, I never loved anyone enough to give them my last Rolo.)
Slightly more obsessive viewers will have discovered that he is in fact reading the Purgatorio Canto XXII.” –Thaliarchus, Animanachronism, April 9, 2008
Learn more about Sunrise’s 2006 anime Code Geass here.
By lsanchez
“It’s also a book about walking. Macfarlane is nothing if not boots on ground, following one path or another as he hoofs it from orchard to cottage to inn to pub, talking to the people who know the land best, the ones who live and work on it. Of course, he is not the first person to connect walking with writing. The first writers didn’t have any choice. Before cars and trains and airplanes, they could choose economy travel (by foot) or business class (via mule or horse); only the well-off could travel in first class (coach). Not that walking is a bad thing for a writer: ‘My wit will not budge if my legs are not moving,’ writes Montaigne.
Keats often walked as many as 12 miles a day, even when his consumption was raging. Dickens trod the streets of London all night ‘to still my beating mind,’ as he said. And before the Dante of the Divine Comedy legged it through the Inferno on his way to Purgatory and Paradise, the real-life Dante Alighieri wandered for years after his exile from Florence, crossing swamps where one might sicken and die in hours and following roads that gave way to paths dense with briars and thick with trees hiding thieves.” –David Kirby, The Smart Set, August 10, 2020
Check out Landmarks by Robert Macfarlane on Amazon here.
By lsanchez
“The Salvador Dalí‘s Stairway to Heaven exhibit is comprised of illustrations originally made for two very different literary works: a 1934 edition of Les Chants de Maldoror, a prose-poem by Comte de Lautréamont, and a 1960 edition of Dante Alighieri’s the Divine Comedy. When Dalí created the first portfolio in the 1930s, he embraced Surrealism with its wildly imaginative dreamscapes. The lascivious lifestyle he and his wife led at this time is also evident in his work of the ’30s. By the time he illustrated Dante’s the Divine Comedy in the 1960s, Dalí had renounced Surrealism and become a born again Catholic. His personal life had shifted dramatically to embrace what he termed a divine or ‘mystical ecstasy’ which is evident in this second, celebrated portfolio.” —Fort Wayne Museum of Art, June 13, 2020
All submissions will be considered for posting. Bibliographic references and scholarly essays are also welcome for consideration.
Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.