“The Flat-Massimo Carasi gallery reopens its doors to the public, after the protracted closure due to Covid 19, with a collective that look forward for a restart. Convinced that the physical space of the gallery will resist the broadsides of innovations and will remain an essential point of meeting and sharing with the public, we recognize that no man / woman is an island even in its own solitude (a very crowded solitude). Art, in all its disciplines, remains the most enthralling mystery and witnessing its representations in first person will simply remain of VITAL importance. We identify the works of art with the stars, to which Dante refers and illuminate the dark, so in this context we have chosen for the end of the season program, a roundup of works that would like to shape a physiognomy of contemporary being with her/his passions and obsessions, between damnation and holiness, bewilderment and hope.These are works that refer to woman/man but do not portray her/him directly. Instead they evoke his presence by interpreting the fetishes that are left behind as traces. The invited artists, using new and traditional media, adopt the most varied techniques to grasp the human dimension with sometimes simple, or sometimes, categorical gestures.” —Stefano Caimi, Michael Johansson, Guillaume Linard Osorio, Sali Muller, Jack Otway, Michelangelo Penso, Leonardo Ulian, …and Thence We Came Forth To See Again The Stars, Leonard Oulian, June 11-September 4, 2020 (retrieved on March 28, 2024)
“Friendship in an Age of Transience: Wisdom from Dante”
“As a counterweight to the transience and loneliness that pervade our society today, Dante’s medieval theological vision reminds us that friendship is central to human flourishing because it is central to the human person. Friendships—no matter how fleeting—prepare us for union with God.
“Transience is now a defining feature of many people’s lives. Instead of staying in the same hometown, community, and job through adulthood, modern life insists that we uproot, then uproot again, to pursue the next coveted role or experience. This endless flurry of classmates, colleagues, and friends often leaves us feeling detached and disengaged. In the midst of drifting in and out of commitments, Americans report fewer friendships and atrophying support systems in a society fractured by economic upheaval and pandemic disruption.
[. . .]
“But there is an alternative way of thinking about the meaning of friendship. For a vision of a world in which friendship is paramount and theologically suggestive, we might consider Dante’s Purgatorio. This is the second part of his Divine Comedy, an epic three-part narrative poem composed in the early fourteenth century that depicts Dante’s journey through Hell (Inferno), Purgatory (Purgatorio), and Heaven (Paradiso). A medieval Christian allegory representing the journey of the soul toward God, the poem offers a compelling account of friendship that challenges us to reflect on our engagement with those around us and, ultimately, with God.
“Throughout Purgatorio, Dante makes a powerful case that friendship—however fleeting—is integral to both human flourishing and the human person because it prepares us for union with God. Dante’s medieval wisdom on friendship provides helpful guidance as we navigate our own strange nomadic landscape in the modern world.” —Jessica Schurz, “Friendship in an Age of Transience: Wisdom from Dante,” The Public Discourse, May 25, 2022 (retrieved March 2024)
Hozier, Unreal Unearth (2023 album)
Hozier’s much-anticipated album Unreal Unearth was released on August 18, 2023. The album, which is comprised of songs mostly written during and immediately following the COVID-19 pandemic, is loosely constructed around Dante’s nine circles. Hozier is extremely eloquent in talking about how his songs take up Dante’s ideas, themes, and images, and his press and social media interviews are worth a listen for anyone interested in his adaptations of Dante!
“While keen to stress that the record is by no means a concept album, Hozier went on to explain how Dante’s Nine Circles of Hell had provided a handy framing device for the record. Specifically, the album reflects upon two of the nine circles of hell: gluttony and heresy.
‘There’s a subtle element and I wanted to be light and playful with it. The album can be taken as a collection of songs, but also as a little bit of a journey. It starts with a descent and I’ve arranged the songs according to their themes into nine circles, just playfully reflecting Dante’s nine circles and then an ascent at the end,’ he said.
‘Because I think everyone went on a little bit of a journey over the last two years, everybody went through something changed, something about their lives, something about their work, something about themselves and came out the other side, slightly changed in some way, shape or form and that, it was sort of, that was just, that’s just how the album is arranged.'” –Nick Reilly, “Hozier on new EP ‘Eat Your Young’ and how Dante’s ‘Inferno’ inspired him,” RollingStone UK (March 17, 2023)
See the official videos for “Eat Your Young” (Hozier’s take on gluttony),”All Things End” (heresy), and more on Hozier’s YouTube channel.
Contributed by many friends of Dante Today, including Aspen Foulk, Alyssa Granacki, Akash Kumar, Robert Alex Lee, Caleb Taylor, and Emily Yemington. Many thanks to all the contributors!
Dante Caught Without a Mask: Street Art in Florence
“Fantastic this work, certainly dating back to the lockdown in March [2020] and unfortunately already in an advanced stage of deterioration. Protagonist Dante Alighieri, acknowledged father of Italian literature and language, author of the Divine Comedy, dressed as always in red and crowned with laurel. Arrested as caught without a mask by a policeman with an anti-Covid 19 mask (with an American uniform?) and by another figure in a spacesuit (an astronaut?), also with a mask! Live-size pictures. Many metaphors can be ventured! Florence, via delle Seggiole.” —Arte Leonardo blog, Leonardo da Vinci Art School
Three Palaces Festival
“The Three Palaces Festival, taking place between November 8 and 12, is online for a second time because coronavirus restrictions remain in place,” says artistic director Michelle Castelletti, a singer, composer and conductor known for her interdisciplinary approach to the arts.
Speaking about the theme of this year’s festival, Castelletti highlights that 2021 is the 700th anniversary of Dante’s death, and the 450th anniversary of Caravaggio’s birth.
Both have ties to Malta, with Caravaggio’s painting the Beheading of St John the Baptist commissioned for the Co-Cathedral of St John while Dante mentioned Malta in La Divina Commedia (The Divine Comedy).
“Although it’s true that we aren’t certain he meant this island rather than a place in Italy,” she continues. “We were keen to celebrate both these artistic geniuses.” –Esther Lafferty, Times of Malta, November 7, 2021
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