Dante’s Inferno Cinnamon Flavored Candies
“These amazing little candies are hand forged by demons in the third circle of hell.” —Firehouse Pantry
Contributed by Lisa Flannagan
Lee K. Abbott, “One of Star Wars, One of Doom” (2007)
“The story follows Mr. DeWine, a high school civics teacher looking for the love that will bring meaning to his middle years, and the two alienated students who plot death, havoc, and woe.” —Fantastic Fiction
“The first reference is to the two high school boys who shoot up the school as ‘founding members of the ninth circle.’ (Abbott) The second reference is made by Mr. DeWine as he notes a student’s inscription on a desk in his classroom, ”Abandon all hope,’ someone has scribbled. Dante-what a bozo. Blame the whole fiasco on Beatrice.’ (Abbott) This reference foreshadows the outcome of the story. –Katie Tiller
Contributed by Katie Tiller (University of Texas at Austin)
“9 Circles” by Bill Cain S.J.
“Jesuit playwright Bill Cain S.J., has penned a new and searingly powerful play. Just a year after his earlier successful play about the gun powder plot, Equivocation (see my review), Cain portrays in his new play, 9 Circles, a character, Daniel Reeves, as a disturbed 19-year old snarled in the web of war…
“The title, 9 Circles, refers, of course, to Dante’s Inferno, the 9 circles of hell. In the play, Reeves, successively, shifts from a rigid, brainwashed Army killer to a finger twitching 19-year-old grunt to, in a final soliloquy, some profound self-knowledge and forgiveness.” [. . .] –John Coleman, S.J. America, November 9, 2010
See a boston.com review.
Contributed by Patrick Molloy
Dante’s Internet: “Serious Business”
“In the year or so since I started blogging, I’ve found myself ingrained into a number of internet communities which will here remain unnamed. But I have stumbled a cross an unwritten set of rules governing these communities, and someone took these general principles and fashioned them into this handy ‘Dante’s Inferno’ type chart.” […] -Paul Tassi, Unreality Magazine, February 18, 2010
Contributed by Victoria Rea-Wilson (Bowdoin, ’14)
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