“After the qualification of the digitally restored Štiglic’s film The Valley of Peace (1956) for the 2016 Cannes Classics competition, the celebration of the 60th anniversary of its making, and its Cannes premiere, the same director’s film The Ninth Circle (1960) was the third work of his that was screened in Cannes (the first one had been the 1949 film On Our Own Land).” [. . .] —The Film New Europe Association, July 28, 2020
IKEA: The 10th circle of hell
“It’s fitting that IKEA stores are organised in a series of winding circles with no easy escape. It’s not unlike the circles of hell that the protagonist of Dante’s Inferno must wander before heading on to Purgatory and then Heaven.
“But unlike the soul in Dante’s epic poem, you never get to Heaven. What awaits you once you’ve managed to locate and then purchase your Tuffing and Malfors is yet another circle of hell. This one is in your own home and the instrument of torture is an Allen key.” [. . .]
–Kasey Edwards, The Sydney Morning Herald, July 15, 2019
The 10th Circle of Hell is Southwest Airlines
In her blog, Geraldine DeRuiter takes issue with her experience with Southwest Airlines’ seating policy, writing, “THIS IS WHAT HAPPENS WHEN YOU DO NOT HAVE ASSIGNED SEATING. Everyone has an “it’s me or them” mentality that extends to the entire flight. I want to sit here. . .”
“There is a special circle of hell for all of these people” [. . .] –Geraldine DeRuiter, The Everywhereist, March 8, 2017.
COVID-19: Indians Going Through Nine Circles of Hell
“Akin to how characters in Dante’s poem paid for their sins in hell, Indians are paying with their lives during a pandemic for electing a government that is utterly incompetent and bigoted. [. . .]
“Dante and his imaginary guide Virgil were travelling through nine circles of hell on their way to heaven. Hell was used as a metaphor for human suffering for sins committed on earth. Although the punishment was severe, Dante’s poem portrayed them as fair and proportionate to the sins committed. The sufferings in India are not imaginary, but real, taking place while people are still alive, and most importantly, whatever their sins are, the fairness and proportionately of the punishments are definitely questionable. Yet the reference is fair and this column is designed to explain why.
“India is now in the proverbial ‘Ante-Inferno’ with a clear inscription written all over her, ‘Abandon all hope, you who enter here.’ India is now the case study of ‘what not to do’ in a pandemic, thanks to the conceit, egotism, and self-approbation of the Modi government.” [. . .] –Debasish Chakraborty, The Wire, May 20, 2021
Nirvana Sued For Use of “Upper Hell” Map
“Move over smiley face. Welcome to the Seventh Circle of Hell.
“Nineties grunge-rock band Nirvana, already embroiled in a long-running legal battle against fashion company Marc Jacobs over its ‘happy face’ t-shirt designs, now finds itself on the less happy end of a new copyright infringement lawsuit worthy of Dante’s trip through the underworld.
“The complaint, filed in federal court in Los Angeles [in April 2021], claims that Nirvana infringed an illustration first published in a 1949 English language translation of Dante’s Inferno. The drawing depicts Dante’s circles of Upper Hell and, like Nirvana’s smiley face logo, has been featured on the band’s merchandise for decades. [. . .]” –Aaron Moss, “Foreign Works, US Rights: The 7th Circle of Copyright Hell?” on Copyright Lately (April 30, 2021)
The disputed image was featured on the B-side of Nirvana’s debut album Bleach (Sub Pop Records, 1989).
Contributed by Jared Brust (Florida State University ’21)
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