“Dante’s Purgatorio“
Written by Patrick Baliani
Directed by Joseph McGrath
See also the performance by The Fountain School at Dalhousie University, 2018
Citings & Sightings of Dante's Works in Contemporary Culture
“Dante’s Purgatorio“
Written by Patrick Baliani
Directed by Joseph McGrath
See also the performance by The Fountain School at Dalhousie University, 2018
“Gates of Hell” is an album released on July 31, 2014 by Sam Coffey and the Iron Lungs. The band hails from Toronto, Canada, and are a self-described “6 piece rock n’ roll band from hell.” — cited from Bandcamp.com
Watch the music video for the song “Gates of Hell” below:
Learn more about Sam Coffey and the Iron Lungs on their website, and follow them on Instagram, Twitter, Facebook, and Soundcloud.
Divine Comédie is an experimental film released in 2014, featuring music and video imagery by Simon Côté-Lapointe. The artist himself describes the film as follows: “This adaptation of Dante Divine Comédie is a oniric musical trip without words, a thrilling experimental mix of animation, video art and imagination combining 2D and 3D animation, video art and puppetry as well as electronic, electroacoustic and acoustic music.”
The trailer and two versions of the film (both the full-length film and a shorter version) are available to watch on YouTube.
For more information on the film and its creators, see the website here.
Contributed by Simon Côté-Lapointe, Université de Montréal
“As The Poets Affirm (As The Poets Affirm) was born out of a group of independent musicians in 2001 in Ottawa, Canada. What started as a three-piece acoustic project, eventually turned into an eclectic seven-member lineup experimenting with jazz, classical and electronica. Their name is taken from a line in Dante’s Inferno [Inf. XXIX.63].” [. . .] —The Sirens Sound
“Now in a third year of collaborating with Brisbane-based Zen Zen Zo Physical Theatre, Human Theatre director Stephen Atkins delves into another classic with the premiere physical theatre company of Australia. Dante’s Inferno: Living Hell takes the audience on a promenade theatre experience, walking in Dante’s footsteps and lighting up another sold-out ‘In The Raw’ season with the company.
The project was conceived, scripted and rehearsed through the collaborative efforts of nineteen performers, two music composers and three choreographers. Based on Atkins’ adaptation, the performers created scenarios and vignettes illustrating the strata of the Inferno. Dante pulled no punches in the original 13th century poem, writing it entirely in the vernacular Italian language (instead of Latin) and populating hell with the corrupt popes, politicians and merchants of his own time; subjecting them to ironic and satirical punishments. It was meant to be a poem for the people, not the learned few; a dark comedy with a poignant message.
In this adaptation, the audience is lead through hell by two entrepreneurial tour guides who offer a ‘walking tour of the underworld’ while up-selling the audience on merchandise. As the evening progresses, the tables turn and the audience must fend for itself, guided by a heavenly angel through the City of Dis. In the end, evil is contemplated through the lens of the modern, contemporary world, bringing hell closer to home. Dante’s Inferno: Living Hell played for two weeks in Brisbane’s historic Old Museum.” —Human Theater Collective (retrieved on August 23, 2010)
Contributed by Helena Miscioscia
All submissions will be considered for posting. Bibliographic references and scholarly essays are also welcome for consideration.
Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.