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Citings & Sightings of Dante's Works in Contemporary Culture
By lsanchez
By lsanchez
“The Uffizi is providing Dante-centric artworks for the major exhibition Dante. The Vision of Art held in Forlì from March 12 to July 4, 2021.
The show is part of the nationwide celebrations for the 700th anniversary of the death of Dante Alighieri, but also aims to symbolize the rebirth of Italy and the art world.
The project is based on an idea by Eike Schmidt, director of the Gallerie degli Uffizi, and Gianfranco Brunelli, director of major exhibitions of the Fondazione Cassa dei Risparmi di Forlì, while Professors Antonio Paolucci and Professor Fernando Mazzocca are the show curators. The decision to hold the exhibition in Forlì is part of an overall strategy to promote the area that acts as a natural bridge between Tuscany and Emilia-Romagna. Dante sought refuge in Forlì in the Autumn of 1302 after leaving Arezzo. The poet stayed with the city’s noble ruling family, the Ordelaffi, for more than a year.
Several works will be loaned to Forlì by the Uffizi, including Andrea del Castagno’s portraits of Dante and Farinata degli Uberti, which are not usually not public view in Florence, given their placement in the San Pier Scheraggio church, which is where the council met on which Dante once served. A second Dante portrait, by Cristofano dell’Altissimo, will be displayed in the Forlì exhibition. Pontormo’s Exile from Paradise and a Michelangelo’s drawing depicting a doomed man in Divine Comedy’s Inferno, in addition to a selection of fine sketches by Federico Zuccari for the 500th illustrated edition of the text. Other highlights include a marble bust of Virgil by the eighteenth-century sculptor Carlo Albacini, and the nineteenth-century canvas by Tuscan proto-romantic Nicola Monti, titled Francesca da Rimini in the Inferno.” –Editorial Staff, The Florentine, July 10, 2020
By lsanchez
“Albert Merola Gallery at 424 Commercial St. [Provincetown, Mass.] is happy to present its first exhibition of 2020 from June 12 to July 1 — paintings by Michael Mazur. The exhibition’s title, Gathered at the Edge of Light, comes from a passage early on in Dante’s Inferno. It is appropriate in many ways, not least of which is that Mazur deeply studied Dante’s masterwork, and had a deep love of all things Italian. One of his major accomplishments was the epic illustration of the Inferno. He made drawings, monoprints, and a complete suite of etchings, illustrating the story of Dante and Virgil’s journey through Hell. This accompanied the translation done by Robert Pinsky, a United States Poet Laureate and dear friend of Michael and Gail Mazur.” —Wicked Local, June 10, 2020
See our previous post on Mazur’s work here.
By lsanchez
“… Vartan, a queer former Orthodox Jew from Chechnya whose sculptures and paintings mostly explore demonic and sexual themes. ‘My work always shows a state of human spirit,’ he tells The Creators Project. ‘Demons and angels, pain and uncontrollable desire, fear and loneliness. The naked body in sculpture represents a spiritual condition. I am not interested in ‘politically correct’ art because it’s boring. Shock, controversy, and honesty. These are the three principles of my art.'” –Anya Tchoupakov, Vice, November 19, 2015
Shown at left is Vartan’s sculpture Inferno.Etude.
By lsanchez
“A 750 anni dalla nascita di Dante, è possibile raccontare ai ragazzi La Divina Commedia? La sfida è stata accolta da uno scrittore come Paolo Di Paolo che, accompagnato dalle splendide illustrazioni di Matteo Berton, ci fa rivivere lo straordinario viaggio di Dante.” —La Nuova Frontiera Junior, July 30, 2015
All submissions will be considered for posting. Bibliographic references and scholarly essays are also welcome for consideration.
Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.