“The Salvador Dalí‘s Stairway to Heaven exhibit is comprised of illustrations originally made for two very different literary works: a 1934 edition of Les Chants de Maldoror, a prose-poem by Comte de Lautréamont, and a 1960 edition of Dante Alighieri’s the Divine Comedy. When Dalí created the first portfolio in the 1930s, he embraced Surrealism with its wildly imaginative dreamscapes. The lascivious lifestyle he and his wife led at this time is also evident in his work of the ’30s. By the time he illustrated Dante’s the Divine Comedy in the 1960s, Dalí had renounced Surrealism and become a born again Catholic. His personal life had shifted dramatically to embrace what he termed a divine or ‘mystical ecstasy’ which is evident in this second, celebrated portfolio.” —Fort Wayne Museum of Art, June 13, 2020
“6 Downtown Dallas Museums Unveil Plans to Reopen After COVID-19 Shutdown”
“All exhibitions that were on display when the museum closed have been extended, and the special exhibition For a Dreamer of Houses, which was to have opened on March 15, will be available for view with the purchase of an additional ticket. It will now remain on view until July 4, 2021. Also opening on August 14 will be Dalí’s Divine Comedy, which showcases selections from Salvador Dalí’s most ambitious illustrated series: his colored wood engravings of the Divine Comedy.” –Alex Bentley, CultureMap, August 10, 2020
“The Most Harrowing Paintings of Hell Inspired by Dante’s Inferno“
“Dante Alighieri’s depiction of the afterlife has inspired generations of readers since the Divine Comedy was first published in 1472. In the 14,233 verses of this poem, Dante envisions a trip to the afterlife, guided first by the Roman poet Virgil, who leads him through Hell and Purgatory, and then by his beloved Beatrice, who leads him through Paradise. His detail-rich descriptions of Hell, envisioned as nine concentric circles containing souls of those “who have rejected spiritual values by yielding to bestial appetites or violence, or by perverting their human intellect to fraud or malice against their fellowmen,” have inspired artists for the last five centuries. Here are some of the most poignant visualizations of Dante’s Inferno.
[. . .]
Stradanus, Canto VIII (1587-1588)
Flemish painter Jan van der Straet, known by his Italian name ‘Stradanus,’ completed a series of illustrations of the Divine Comedy between 1587 and 1588, currently preserved at the Laurentian Library in Florence. This illustration refers to Canto VIII, where the wrathful and slothful are punished. Stradanus combines elements of Italian Mannerism, such as painstaking attention to detail, with distinctive Flemish traits like the physiognomy of the demonic figure steering Dante’s boat, who shows a deeply harrowing expression.” –V. M. Traverso, Aleteia, July 17, 2020
“Catholic Sculptor Re-Creating Dante’s Divine Comedy Aims to Shift the Emphasis off Hell”
“In preparation for the 700th anniversary of the death of medieval poet Dante Alighieri, a Canadian artist is creating a sculptural tribute to his Divine Comedy that would be the first sculptural rendition of the entire poem.
‘In our culture Dante is becoming lost,’ said sculptor Timothy Schmalz in an interview with Religion News Service on Monday (July 20).
Not only is Dante less and less required reading, Schmalz said, but his Divine Comedy is often misrepresented by putting the focus only on the first part — the descriptions of hell and its fiery punishments.
[. . .]
There are 100 cantos in the poem, which have previously been represented in etchings and drawings by the likes of Sandro Botticelli, Gustave Doré and William Blake, but Schmalz would be the first to represent the full poem through sculpture.
‘I realized why it hasn’t been done before,’ he said. ‘It’s so much work.'” –Claire Giangravé, Religion News Service, July 21, 2020
Beatrice Doodle Mask
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