Gif posted April 7, 2016, on the Facebook profile “Se i Social network fossero sempre esistiti“:
Contributed by Chiara Montera (University of Pittsburgh)
Citings & Sightings of Dante's Works in Contemporary Culture
Gif posted April 7, 2016, on the Facebook profile “Se i Social network fossero sempre esistiti“:
Contributed by Chiara Montera (University of Pittsburgh)
[…] “Now Donald J. Trump has upset the already beleaguered people of Belgium, calling its capital, Brussels, ‘a hellhole.’ ” […]
“A Twitter user using the name Berlaymonster (Berlaymont is the headquarters complex of the European Commission in Brussels) posted what appeared to be a modified version of the Wikipedia entry for Dante’s “Inferno.” The list of chapters showed Limbo, Lust and Gluttony. The fourth chapter? Brussels.” […] —Dan Bilefsky and Claire Barthelemy, The New York Times, January 27, 2016
Berlaymonster, Twitter, January 27, 2016
some of the comments to the tweet:
In a response to Rod Dreher’s 2015 book How Dante Can Save Your Life, Guy Raffa (creator of the Danteworlds website) discusses the question of same-sex love in the Comedy:
“In his otherwise fine explication and application of the Divine Comedy, Dreher badly misunderstood—or just plain missed—Dante’s view of same-sex love. […]
“The point can’t be made often or forcefully enough: getting Dante straight means getting him gay, as well. When it comes to the sex or gender of the people we love best, Dante doesn’t give a fig. This is something that Dreher and other serious readers of Dante ought to know.” — Guy Raffa, “What Rod Dreher Ought to Know about Dante and Same-Sex Love,” Pop Matters
Stanford University’s student run production company, Cardinal Studios, is releasing a short film, Demons, in February 2016.
Synopsis: “Beatrice is forced to face her past and the judgement of Minos on the night she finds Dante.”
Read more at Cardinal Studios’ Facebook or Tumblr pages.
Contributed by Sonia Gonzalez, Stanford University ’18
“Now on exhibit is an engraved marble wall mural of Dante Alighieri’s INFERNO based on 70 images by nineteenth century French engraver Gustave Doré. Accompanying each scene is a corresponding verse and title in Italian with English translation. The pictorial images and lettering were burnt into the surface of black marble tiles using a laser engraving machine. The mural covers 205 square feet , the main section being 8′-6″ high by 22′-0″ long and consists of marble tiles mounted on sixteen removable wood panels. Located at Casa Galiano (the artist’s residence in East Brunswick, NJ) the mural hangs on the east wall of an art gallery addition. Each image has a specific verse chosen to best describe the scene. The mural is presented in chronological order from left to right so that the viewer can follow Dante’s journey from the dark wood to the frozen Satan. It is the artist’s intention to showcase the imagination, language and poetry of Dante’s INFERNO fused with the dramatic visual detailed artwork of Gustave Doré.” –Dino Galiano
“A sculpture garden features high relief marble carvings depicting scenes from Dante’s Divine Comedy. The centerpiece is a solid marble sculpture entitled, The Commedia Block, which is carved on all four sides showing the divisions of Inferno, Purgatorio and Paradiso as well as portraits of Dante, Virgil and Beatrice.” —Casa Galiano
See Casa Galiano to learn more and see additional photos.
Contributed by Dino Galiano
All submissions will be considered for posting. Bibliographic references and scholarly essays are also welcome for consideration.
Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.