“I used to be a Dante scholar, so I’m accustomed to answering questions about the poet no one asked. Here’s one: Were he alive today, to which circle of hell would Dante consign President Donald Trump? Trump’s sins are many, so Dante would have options: there’s the second circle, which punishes the lustful, or the third, for bloated gluttons. Trump could also be at home in circle four (avarice and prodigality) and five (anger and acedia, or laziness). So much then for crimes of passion, or, in Dante’s Aristotelian framework, offenses that involve only the will. The penalties in those circles seem too lenient. So what about circles reserved for more cold-blooded transgressions, which require the intellect? Circles seven (violence), eight (simple fraud, including flattery, thievery, and barratry, or selling political office), and nine (treacherous fraud, reserved for the most serious felons, who betray relatives, country, guests, and benefactors) all seem viable. But sending Trump there is contingent on him demonstrating the conscious use of his intellect, which, of course, would be difficult. That leaves just circle six: heretics and atheists.” –Griffin Oleynick, Commonweal, June 4, 2020
The Sandman and Dante’s Inferno
“The angelic appearance of Lucifer in Sandman #4 (April 1989), entitled ‘A Hope in Hell,’ features the Wood of Suicides from Dante’s Inferno (Canto XIII), the great expanse of which provokes comment from the titular character as he seemingly accidentally breaks a branch and allows the suicides, imprisoned in the form of barren trees, to speak. Despite this, the issue and The Sandman in general have more to do with previous DC comics than with Dante. Indeed, the issue features Etrigan, a colorful rhyming demon created by Jack Kirby for the inventively titled comic The Demon. At the issue’s conclusion, Lucifer swears Dream’s destruction, a move by writer Neil Gaiman to establish plot threads for subsequent issues.
[. . .]
Perhaps the inconsistency of Gaiman’s three versions of Lucifer should not surprise us. After all, Satan has always been a particularly malleable figure, changing even in his religious depictions over time. Huge gulfs exists between the serpent of Genesis, the prosecuting angel in Job, the Bible’s brief and vague references to a fallen angel, and the vaguely Manichean personification of evil in the New Testament, who were not even intended to be the same characters and were only united by exegetic interpretation. Equally, Dante’s bloated, immobile Satan is a world away from Milton’s deft, self-damned, self-hated rhetorical master.
In other words, Gaiman’s three Lucifers may not be consistent, but then, Lucifer never was.” –Julian Darius, Sequart Organization, May 20, 2002
“American Horror Story: Dante’s Inferno Theory Explained”
“Ryan Murphy’s long-running horror anthology series, American Horror Story, has no shortage of fan theories surrounding it; one suggests that the first nine seasons correspond with the nine circles of hell in Dante’s Inferno.
[. . .]
Inferno is part of a 14th century epic poem by Dante Alighieri, the first part of the Divine Comedy. The concept of nine circles – or layers – of hell has been utilized many times throughout horror’s cinematic history, as it addresses sin, purgatory, and serves as a journey into the dark underworld. This theory surfaced long before all nine seasons of American Horror Story aired, and clever fans have been able to make each circle work to correspond with a different season of the show. While there are theories as to which season best suits a specific circle, they are all represented by Inferno in some way; everything is neatly accounted for.
In 2014, the theory surfaced, and in 2017, Murphy posted a list on Instagram that brought the theory back to life; he assigned seven of the nine seasons to specific circles, which has become the accepted ‘norm’. Since then, seasons 8 (Apocalypse) and 9 (1984) have aired; they also fit the remaining two circles, interestingly enough. The nine circles of hell discussed in Dante’s Inferno are: limbo, lust, gluttony, greed, anger, heresy, violence, fraud, and treachery. While these are listed in order, the seasons do not correspond with each circle sequentially. The commonly-accepted connections are: Murder House (limbo), Asylum (fraud), Coven (treachery), Freak Show (greed), Hotel (gluttony), Roanoke (anger), Cult (heresy), Apocalypse (violence), and 1984 (lust).” –Jack Wilhelmi, Screen Rant, June 2, 2020
Day-to-Day Dante: Exploring Personal Myth Through the Divine Comedy
“Day-to-Day Dante: Exploring Personal Myth Through The Divine Comedy (2011) is a series of meditations, one for each day of the year, using between 6-9 lines of the poem for each entry. The book is comprised of approximately 121 entries for each of the canticas Dante created: Inferno, Purgatorio and Paradiso. Following each quote from the poem is a short summary of what is taking place at this moment in the pilgrimage. Then follows a reflection on what this might have to do with our lives today. At the bottom of each page is a Writing Meditation in which the reader is invited to journal how this passage might apply to them now or in his/her past. Through these writing meditations, the reader will uncover parts of his/her personal myth.” –Dennis P. Slattery, dennispslattery.com, January 28, 2011
La Divina Commedia (2015) – Paolo Di Paolo
“A 750 anni dalla nascita di Dante, è possibile raccontare ai ragazzi La Divina Commedia? La sfida è stata accolta da uno scrittore come Paolo Di Paolo che, accompagnato dalle splendide illustrazioni di Matteo Berton, ci fa rivivere lo straordinario viaggio di Dante.” —La Nuova Frontiera Junior, July 30, 2015
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