“Nel libro, intorno alla figura e alla lingua di Dante, convergono storie di ricerca diverse. Studiosi noti e affermati, dantisti di vaglia, si affiancano a giovani ma agguerriti ricercatori. Temi tradizionalmente legati ai più vari aspetti dell’azione e dell’immagine di Dante tracciano i perimetri fondamentali delle sue idee linguistiche, della sua operosità, della sua presenza e del suo riuso nella tradizione e nella storia, non solo letteraria, ma anche figurativa e dialettale; a essi si uniscono temi nuovi e meno scontati, che toccano molti dei mezzi e modi della comunicazione destinata al largo pubblico (dall’opera lirica alle canzoni, dal Dante dei fumetti e per ragazzi al Dante degli enigmisti, fino a una più generale considerazione del Dante pop). La varietà degli argomenti trova riscontro nella disponibilità di materiali inediti e studiati per la prima volta, che ci si augura possano essere apprezzati, anche per una fruizione didattica, da un pubblico italiano e internazionale; a questa finalità risponde anche l’inserimento di una sitografia aggiornata.” —goWare
NY Times Review: Dante’s Inferno Play, adapted/directed by Robert Scalan (1998)
“Dante’s Inferno, a highly condensed and remarkably theatrical staged version of the 14th-century epic that takes Dante, played here by Bill Camp and guided by the poet Virgil (Reg E. Cathey), on a fantastic voyage into Hades. Mr. Willis and Leslie Beatty complete the cast, portraying an assortment of damned souls in this economical, two-hour production. And these two — how shall we put it? — have all the fun.
“Like more tormented versions of the sad sacks Dorothy collects on the yellow brick road, they confide their tales of woe to the visitor from another world. Mr. Willis and Ms. Beatty cringe and shudder, shrink and quake, affixing faces worthy of compassion to the teeming multitudes of the Underworld. As the acting opportunities pile up, the surprise of this Inferno becomes clear: even if it is not quite a fully realized verse play, it is much more than a staged reading.
“Mr. Scanlan and his designers, John Michael Deegan and Sarah G. Conly, transfer Dante’s hell to the late 20th century. Dressed in business clothes, the actors traverse a mirrored multilevel set that vaguely resembles one of those nondescript office buildings along the interstate (which are some esthetes’ idea of hell, anyway). As the story unfolds, so does the scenery, which is divided into compartments reached by ladders and stairs that denote the descending circles of hell.
“Dante’s Inferno reflects the poem’s episodic nature. It’s how skillfully Mr. Scanlan and his collaborators operate within the episodes that makes this an intriguing evening. Mr. Willis is especially rewarding in his myriad character roles, and on both the technical and interpretive level, all four actors speak with a grasp of the work’s power and lyricism. This is a piece that gets better the lower it goes.” [. . .] –Peter Marks, New York Times, September 28, 1998 (retrieved November 26, 2021)
Lines & Faces by Robert Woods and Alan Bern (2021)
“Lines & Faces, the collaboration of artist/printer Robert Woods and writer/translator Alan Bern, is engaged in a project based on Dante’s Commedia: illustrated broadsides available to view at linesandfaces.com/divine-comedy. In these broadsides we attempt to capture and respond to central moments within Dante’s canti. As a poet and translator, Alan enjoys responding to Robert’s images in both our Dante work and in other projects (also available on our website, linesandfaces.com). At other times Robert responds to Alan’s words. We also work on parallel tracks and combine our work successfully. All three modes function very well after almost fifty years of producing broadsides together.
“In working to capture these Dante moments, we operate in a mode similar to that of haiku writers and haiga artists. Robert and Alan decide together on small sections of Dante and respond to them: Alan translates them into poetry (the middle panels), and then he creates a modern association to his work (the third panels). Robert creates a graphic work that illuminates the chosen moment,and he pulls all the elements together with his broadside design.” –Alan Bern, in private email communication
View the broadsides here. Pictured above is their collaborative depiction of Inferno 5.
In addition to their illustrations and translations from the Commedia we invite Dante Today readers to check out Bern’s translation of Dante’s sestina Al poco giorno e al gran cerchio d’ombra with an accompanying image from Woods.
Contributed by Alan Bern
Ying Zheng, “Remembering Dante” (2018)
Ying Zheng was born and grew up in Shanxi, China, where she received her first Master’s degree from Shanxi University, and has since been working for the Foreign Languages Department of Taiyuan Normal University. In 2013-14, she visited Peking University, where she took a Dante course with Professor Thomas Rendall. In late 2014, she started to write poems in English. Her first poem, a sonnet sequence written in the terza rima form, was dedicated to her lifelong mentor Professor Rendall. In 2019, she earned her second Master’s degree in Creative Writing from Lancaster University, UK. On 14 June 2021, her ekphrastic poem “Dante and Beatrice” was published in Forum Italicum. Her English translation of Mu Yang’s poem “Loneliness” appeared in An Anthology of Chinese Poetry, 2020. Her most recent English translations of three poems by Ta Bei – “Qingxi Lake in Dusk,” “Drunk on Mao-Tai Liquor,” and “Morning Scene” – can be found here. Her ekphrastic poem “Out of the Ante-Inferno,” one of the selected artworks from the Dante 700th London competition, is on display in London through September 2021. She is currently pursuing PhD studies at Renmin University of China, Beijing, China.
Dante 700th London
“ma per trattar del ben ch’i vi trovai” Divina Commedia, Inferno Canto I
DANTE 700TH London
3rd – 30th September 2021
Dante Society London 22, Bryanston Mews West London W1H 2DD
DANTE 700TH London
3rd – 30th September 2021
Dante Society London 22, Bryanston Mews West London W1H 2DD
Visits to the exhibition by appointment only. Contact us by mail.
The exhibition with the participation of a collective of artists from Italy, the United Kingdom, China and the United States of America will take place in London at the Dante Society London premises, during the month of September 2021. The artists accepted the invitation to explore and interpret Dante’s writing and its relevance in the 21st century, each with their own unique artistic brilliance. The original interpretations represent an exceptional panorama that celebrates Dante’s anniversary in a special manner and offers a contemporary perspective in the various artistic and multimedia representations.
The selected artists of Dante 700th London:
Bianca Froese-Acquaye, Despina Symeou, Emilio Guazzone, Francesco Filippini, Giuseppe Pipino, Iluà Hauck da Silva, Jackie Carter, Kat Mustatea, Laura Parker, Louise Marchal, Maurizio Coglia, Michela Papavassiliou, Paolo Rambelli, Rocco Epifanio, Shadi Almualem, Teresa Cecchi and la classe di chimica ITT ‘G.E.Montani, Ying Zheng.
Dante 700th London Prize Jury: Alexandra Lawrence, Dario Pisano, Patrizia Poggi.
Our most heartfelt thanks for supporting this initiative.
The winner of the exclusive interview granted by London One Radio, the first Italian radio in the United Kingdom is: Kat Mustatea
Awarded for Voidopolis – a digital performance about loss and memory currently unfolding on her Instagram feed @kmustatea
- « Previous Page
- 1
- …
- 25
- 26
- 27
- 28
- 29
- …
- 182
- Next Page »
