Citings & Sightings of Dante's Works in Contemporary Culture
“The city of Florence has issued a pardon for the poet, 700 years after it sentenced him to death for his political beliefs. Peter Popham reports on the man who turned Italian into a literary language.” [. . .] —The Independent, June 19, 2008
Contributed by Patrick Molloy
“In the Inferno of Dante, Count Ugolino, forced to cannibalize his children’s corpses, is led to narrate the horror by Dante’s offer to retell the story up in the world above. Genesis 19 not only tells the story of incest between Lot and his daughters, but proceeds to name their offspring: Moab and Ben-ammi, and the Moabites and Ammonites descended from them. Abel’s blood ‘cries out’ with its story, and the fratricide Cain is marked.” [. . .] –Robert Pinsky, New York Times, June 8, 2008
“A villa in the Tuscan hills is the setting for this gracefully executed literary puzzle. A Cambridge student wins a fellowship to study the villa’s Renaissance garden, built by a Florentine banker in memory of his wife. Consulting sources like Ovid and Dante, he is able to unlock the garden’s shocking secrets.” [. . .] –Elsa Dixler, The New York Times, May 25, 2008
Asensi’s first novel to be published in English features a clandestine religious organization, a code contained in the work of a long-dead genius, a plucky heroine, and just the right combination of obscure history and plausible conjecture. Sound familiar? The Last Cato will inevitably draw comparisons to The Da Vinci Code, but this book is in many ways more compelling, if a bit less accessible. After Dr. Ottavia Salina, a nun working as a paleographer at the Vatican, is asked to decipher tattoos on the dead body of an ‘enemy of the Church’ from Ethiopia, she soon discovers the deceased was tied up with the Staurofilakes, an ancient order who have sought to protect the True Cross and now seem to be stealing slivers of it from around the world. The key to tracking them down? Dante’s Divine Comedy. Turns out that Dante was a member of the order himself, and that the notoriously dense Divine Comedy is a kind of coded guidebook to the order’s rituals. Salina and a couple companions set off, with Dante as their guide, on a rollicking, round-the-world adventure. Some of the conjecture seems far-fetched, but the research is impeccable, and the behind-the-scenes Vatican life feels utterly authentic. As engrossing as it is intelligent, this just might be the next big book in the burgeoning religious thriller subgenre.” –John Green, Booklist, Amazon
The third installment of the Dominic Stansberry‘s San Francisco mystery series featuring Dante Mancuso, AKA The Pelican. Forthcoming, 2008 with St. Martin’s Minotaur.
“. . .THE ANCIENT RAIN, the third novel in a habit-forming series about Dante Mancuso, a private eye who knows everyone to talk to–or goes to the funeral of anyone unable to talk. Dante finds himself with a paying job when a federal prosecutor reopens a 1975 court case against Bill Owens, who once ran with the anarchists responsible for a bank robbery in which a woman was killed. As Dante works his sources–a vivid gallery of old-timers clinging to an eroding culture–he broods on the changes since 9/11, eloquently conveying the paranoia that can have a community seeing terrorists on every corner.” [. . .] –Marilyn Stasio, New York Times, April 27, 2008
All submissions will be considered for posting. Bibliographic references and scholarly essays are also welcome for consideration.
Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.
