“BELMONT, Calif. — During her 50 years of smoking, Edith Frederickson says, she has lit up in restaurants and bars, airplanes and trains, and indoors and out, all as part of a two-pack-a-day habit that she regrets not a bit. But as of two weeks ago, Ms. Frederickson can no longer smoke in the one place she loves the most: her home. . .
And that the ban should have originated in her very building — a sleepy government-subsidized retirement complex called Bonnie Brae Terrace — is even more galling. Indeed, according to city officials, a driving force behind the passage of the law was a group of retirees from the complex who lobbied the city to stop secondhand smoke from drifting into their apartments from the neighbors’ places. . .
At a local level, the debate over the law has divided the residents of the Bonnie Brae into two camps, with the likes of Ms. Frederickson, a hardy German emigre, on one side, and Ray Goodrich, a slim 84-year-old with a pulmonary disease and a lifelong allergy problem, on the other. . .
‘I came around the corner, and there was just a giant puff of black smoke, and I knew I wasn’t going to last five seconds in that,’ Mr. Goodrich said. ‘It was like Dante’s inferno up there.'” [. . .] –Jesse McKinley, The New York Times, January 26, 2009
“Where Sweatshops Are a Dream”
“This is a Dante-like vision of hell. It’s a mountain of festering refuse, a half-hour hike across, emitting clouds of smoke from subterranean fires.” [in reference to a large garbage dump in Phnom Penh, Cambodia] [. . .] –Nicholas Kristof, The New York Times, January 14, 2008
“You Will Feel the Heat” Penny Arcade Comic (2008)
Found at Penny Arcade.
Contributed by Charlie Russell-Schlesinger (Bowdoin, ’08)
Guy Raffa, “Danteworlds” (2007)
“It’s not a video game and it’s not CliffsNotes–Danteworlds is ‘an integrated multimedia journey’ through Dante’s Divine Comedy. Situated somewhere in cyberspace between EverQuest and Solitaire, it’s a terrific way to lose a month’s worth of lunchtime in a cubicle. Most literary texts don’t lend themselves to the ‘integrated multimedia’ approach, which often just whisks readers off the page into biographical or literary analysis land and strands them there. But, in the case of The Divine Comedy, and perhaps other epic poetry–the Odyssey comes to mind–the approach is a perfect marriage of medium and message, launching the reader right into the allegorical action, heightening rather than dulling appreciation and comprehension.” [. . .] –Vicky Raab, The New Yorker, January 9, 2009
Francine Rivers, “Redeeming Love” (2007)
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