“A funky and powerful book. Agard takes Dante’s famous poem about a visit to Hell and reworks it to appeal to today’s youngsters, mingling 21st Century street cred with ancient mythology. Kitamura’s stylized black and white illustrations draw the reader effortlessly in.” [. . .] —Amazon
Contributed by Virginia Jewiss (Humanities Program, Yale University)
Federico Fellini, “Ginger e Fred” (1986)
“In the opening scenes, a group of TV variety show guests and performers are riding in a van from Termini Station to the TV studio for the taping of the show. Playing on the video monitor in the the van is what appears to be a children’s show, featuring a Dante marionette who is lost in a dark forest. The sequence ends as Dante finds a compass and happily walks home.” –Roy Scarbrough
Contributed by Roy Scarbrough
“On Poetry: The Great(ness) Game”
“STILL, however blurry ‘greatness’ may be, it’s clear that segments of the poetry world have been fretting over its potential loss since at least 1983. That’s the year in which an essay by Donald Hall, the United States poet laureate from 2006 to 2007, appeared in The Kenyon Review bearing the title ‘Poetry and Ambition.’ Hall got right to the point: ‘It seems to me that contemporary American poetry is afflicted by modesty of ambition–a modesty, alas, genuine. . . if sometimes accompanied by vast pretense.’ What poets should be trying to do, according to Hall, was ‘to make words that live forever’ and ‘to be as good as Dante.’ They probably would fail, of course, but even so, ‘the only way we are likely to be any good is to try to be as great as the best.’ Pretty strong stuff–and one wonders how many plays Shakespeare would have managed to write had he subjected every line to the merciless scrutiny Hall recommends.” [. . .] –David Orr, The New York Times, February 19, 2009
Synetic Theater, “Dante,” Washington, D.C. (2009)
“In an unprecedented, ambitious production, Synetic Theater takes on the entirety of Dante Alighieri’s epic masterpiece, the tale of a lost traveler’s visionary journey through the torments of Hell and up the slopes of Purgatory, before the final attainment of redemption and Paradise. Delving into the core of Dante’s original work, this modern retelling will bring the Italian classic to life in a way never seen before.” —Italian Cultural Institute
Contributed by Aisha Woodward (Bowdoin, ’08)
Philip K. Dick, The Owl in Daylight (1982)
“Philip K. Dick’s last wife has reworked the novel he was working on when he died in 1982 and is publishing the book herself, The Guardian reported. Tessa Dick, the fifth wife of the science-fiction legend, told Self-Publishing Review, an online magazine (selfpublishingreview.com), that her version of The Owl in Daylight seeks to express ‘the spirit’ of the proposed book, about which little is known. Ms. Dick said that a letter from her husband to his editor and agent revealed plans to ‘have a great scientist design and build a computer system and then get trapped in its virtual reality,’ and added: ‘The computer would be so advanced that it developed human-like intelligence and rebelled against its frivolous purpose of managing a theme park.’ The letter also mentioned Dante’s Inferno and the Faust legend, she said.” –Ben Sisario, The New York Times, February 16, 2009
See also: “The Owl in Daylight” Wikipedia page.
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