“For seventeen years of his life, the whereabouts of the medieval Italian poet Dante Alighieri is unknown to modern scholars. All we know is that during this time, he traveled as an exile across Europe, while working on his epic poem, The Divine Comedy. In his masterpiece he describes a journey through the three realms of the afterlife. The volume describing hell, Inferno, is the most famous of the the three.
Valley of the Dead is the real story behind Inferno. In his wanderings, Dante stumbles on a zombie infestation, and the things he sees there–people being devoured, burned alive, boiled in pitch, torn apart by dogs, eviscerated, impaled, crucified, etc.–become the basis of all the horrors he describes in Inferno. Afraid to be labeled a madman, Dante made the terrors he witnessed into a more ‘believable’ account of an otherworldly adventure with demons and mythological monsters, but now the real story can finally be told.” [. . .] —Author Bob Freeman
Contributed by Kim Paffenroth
Watercolor Lithograph by “Mata”
Bettino Ricasoli as Count Ugolino attacks Urbano Rattazzi, who ousted him in 1892 from his leading role in the government. This piece was on exhibit at the “150 Years of La Nazione” in Florence, Italy at the Palazzo Medici Riccardi, March 7 – April 30, 2009.
Pdf close-ups of the re-written terzine:
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Contributed by Kavi Montanaro
Anna Caterina Antonacci, “Altre Stelle” (2009)
“It is the rare singer who can command the support of an orchestra for a concert of arias. Having the event be fully staged, with sets and costumes, is almost unheard of. But the soprano Anna Caterina Antonacci is a favorite in Paris, as she is likely to be anywhere she appears, and the Theatre des Champs-Elysees is currently presenting ‘Altre Stelle’ (‘Other Stars,’ Dante’s term about the power of love), a program of landmark French opera arias linked by the theme of unrequited love.” [. . .] –George Loomis, The New York Times, April 28, 2009
Yale Cabaret, “Funny as Hell” (2009)
“Dante’s Divine Comedy is a staple of the so-called western canon. Aged and distinguished–though mostly just age–like fine wine and pungent cheese, it’s the classic man’s classic. Roughly seven centuries later (incidentally, a divine number of completion), Russell Taylor, Brian Dambacher DRA ’11 and Dave Dambacher breathe new life into the familiar narrative with their collaborative creation, ‘Funny as Hell’… a baptism under fire.
Directed by Dambacher and Taylor, ‘Funny as Hell’ goes up this weekend at the Yale Cabaret. It features Taylor, Darlene McCullough and Ryan Hales DRA ’11. And in keeping with themes of the afterlife, this particular version marks the piece’s third reincarnation.” –Nicholle Manners, Yale Daily News, January 16, 2009
Contributed by Patrick Molloy
David Hewson, “Dante’s Numbers” (2009)
“In the gorgeous grounds of Rome’s Villa Borghese park the glitterati of the movie world are gathered for a world premiere. A legendary Italian movie director has come out of retirement to create a blockbuster based on Dante’s Inferno. But, as Nic Costa and his colleagues attempt to guard the precious collection of historic artefacts attached to the event, the premiere is disrupted by tragedy and a horrific murder.” [. . .] —David Hewson
Contributed by Patrick Molloy
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