“Think globally, suffer locally. This could be the moral of Methland, Nick Reding’s unnerving investigative account of two gruesome years in the life of Oelwein, Iowa, a railroad and meatpacking town of several thousand whipped by a methamphetamine-laced panic whose origins lie outside the place itself, in forces almost too great to comprehend. . .
In the grisliest passage of Methland, which deserves to be quoted at some length so as to convey its hellish momentum, he invites us to share in the torments of Roland Jarvis, a paranoid small-time meth cook, in the Dante-like interlude after the combustion of his improvised home lab (just one of hundreds in the area).
‘Jarvis looked down and saw what he thought was egg white on his bare arms. It was not egg white; it was the viscous state of his skin now that the water had boiled out of it. Jarvis flung it off himself, and then he saw that where the egg white had been he could now see roasting muscle. His skin was dripping off his body in sheets. . . . He’d have pulled the melting skeins of skin from himself in bigger, more efficient sections but for the fact that his fingers had burned off of his hands. His nose was all but gone now, too, and he ran back and forth among the gathered neighbors, unable to scream, for his esophagus and his voice box had cooked inside his throat.'” [. . .] –Walter Kirn, The New York Times, July 1, 2009
Ruth Virkus and Brenna Jones, “Dawn’s Inferno — A Divine Comedy” (2009)
“Midway through her life’s journey, Dawn Ahlgren finds herself in a dark wood… Darkwood, Minnesota. Returning to her hometown for her 10 year high school reunion, Dawn finds herself trapped in the Inferno Bar and Grill, surrounded by classmates determined to prove that hell is indeed other people.
The Flowershop Project, a new theater company based in Minneapolis, is excited to be premiering this original script by company members Brenna Jones and Ruth Virkus. Featuring an original soundtrack by SvenErik Olsen, and based on The Inferno by Dante Alighieri, Dawn’s Inferno is an innovative and hilarious update of Dante’s classic trip through Hell, re-invented as another kind of divine comedy.” —The Flower Shop Project
“Madoff Is Sentenced to 150 Years for Ponzi Scheme”
“. . .Yes, Bernard L. Madoff went to jail on Thursday after pleading guilty to a gargantuan Ponzi scheme, and yes, he may face the rest of his life in prison when he is sentenced to as much as 150 years on June 16. But if even that dose of clinical justice seems like paltry penance to his many bilked and ruined investors, including charities, they can always turn to literature for a further measure of satisfaction–and to pronounce, perhaps, another kind of final judgment.
Mr. Madoff was 700 years too late to join Dante’s Who’s Who of sinners, but it is easy to imagine where the poet would consign this scam artist, who admitted to stealing as much as $65 billion: to the Pit, the Ninth (and deepest) Circle of Hell. It is where sins of betrayal are punished in a sea of ice fanned frigid by the six batlike wings of the immense, three-faced, fanged and weeping Lucifer. . .
It is fitting, Mr. Pinsky says. Betrayal destroys the trust that binds humanity, and with it, the betrayer himself. Dante was consumed by the sadness and mystery of sin–and what it did to the sinner.” [. . .] –Ralph Blumenthal, The New York Times, March 14, 2009
“. . . Burt Ross, who lost $5 million in the fraud, cited Dante’s The Divine Comedy, in which the poet defined fraud as ‘the worst of sin’ and expressed the hope that, when Mr. Madoff dies — ‘virtually unmourned’ — he would find himself in the lowest circle of hell.” [. . .] –Diana B. Henriques, The New York Times, June 29, 2009
See also a similar CBS article here.
Sante Maurizi, “Paolo e Francesca” (2000-2001)
“Paolo e Francesca” is a journey through the different ways in which the story told by Dante in Inferno V has be represented in visual art, theater, poetry, etc.
See La Botta e il Cilindro for information on the play and a wonderful collection of illustrations of the Paolo and Francesca scene from Inf. V.
“Hell in Crisis”
“Think things are grim for Wall Streeters in the here and now? Envision the scene in hell, where the Devil is talking bonus cuts, the Pit of Remorse is packed with frustrated financiers, and trophy wives are weeping over the eternal torment of their broke husbands’ company. Related: A gallery of Edward Sorel’s rogues.” –Edward Sorel and Richard Lingeman, Vanity Fair, June 2009
Contributed by Patrick Molloy
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