Contributed by Peter Edmunds (Bowdoin ’14)
Citings & Sightings of Dante's Works in Contemporary Culture
Contributed by Peter Edmunds (Bowdoin ’14)
Contributed by Pete Edmunds (Bowdoin, ’14)
Dante Restaurant, Boston, MA
Contributed by Krista Gladman (Bowdoin, ’11)
“FOR fans of Italian cars — those with positive recollections, anyway — the high-profile introduction of the Fiat 500 to the United States this year holds the promise of a long-awaited brand renaissance. But for the 500 to be a genuine success, paving the way for a full line of European driver’s cars to follow, its appeal would have to be more durable than a pretty face and an attractive body. My quest to plumb the 500’s inner beauty recently took me on a long drive that included stops in Naples, Verona, Florence, Rome and Venice. . .
Next up, Dante’s autobahn — the New Jersey Turnpike, where treacherous merges and construction projects large enough to be seen from outer space were made all the more entertaining by an afternoon of ark-building rain. But the Fiat was absolutely composed: precise steering, no hydroplaning and brakes that grabbed more aggressively than Tony Soprano at the Bada Bing.” […] –Towle Tompkins, The New York Times, May 20, 2011
“In the opening paragraph of Rahul Bhattacharya’s first novel, The Sly Company of People Who Care, the unnamed narrator, a former cricket journalist from India, declares his intentions for his life, and thus his story — to be a wanderer, or in his words, ‘a slow ramblin’ stranger.’ That rambling, through the forests of Guyana; the ruined streets of its capital, Georgetown; and out to the borders of Brazil and Venezuela, constitutes the novel’s central action. But its heart lies in the exuberant and often arresting observations of a man plunging himself into a world full of beauty, violence and cultural strife.
It’s impossible, reading Bhattacharya, not to be reminded of V. S. Naipaul, even if he weren’t referred to several times throughout the story. Naipaul defined the lonely, empty middle ground occupied by the descendants of Indian immigrants living in Africa and the Caribbean who no longer belong to any nation. Bhattacharya’s narrator, despite having been born and raised in India, occupies similar territory, having given up on his country and the identity that was supposed to come with it. By and large, though, the similarities end there. Unlike Naipaul’s disillusioned protagonists, who stand perpetually outside the world they live in, Bhattacharya’s narrator is thoroughly invested in Guyana and its striking blend of cultures, born out of colonization, slavery and indentured servitude. If anything, he is more reminiscent of Dante in the case of the Commedia, a careful listener and observer who, while in exile, faithfully records the stories that come his way.” [. . .] –Dinaw Mengestu, The New York Times, May 13, 2011
All submissions will be considered for posting. Bibliographic references and scholarly essays are also welcome for consideration.
Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.