“The Bible is the model for and subject of more art and thought than those of us who live within its influence, consciously or unconsciously, will ever know. Literatures are self-referential by nature, and even when references to Scripture in contemporary fiction and poetry are no more than ornamental or rhetorical — indeed, even when they are unintentional — they are still a natural consequence of the persistence of a powerful literary tradition. . . Dante created his great image of divine intent, justice and grace as the architecture of time and being. Milton explored the ancient, and Calvinist, teaching that the first sin was a felix culpa, a fortunate fall, and providential because it prepared the way for the world’s ultimate reconciliation to God” [. . .]    –Marilynne Robinson, The New York Times, December 22, 2011