Reprinted by Corriere della Sera (2006) (retrieved on September 15, 2006).
See also Alberto Brambilla’s 2013 blogpost on the origins of L’Inferno di Topolino.
Citings & Sightings of Dante's Works in Contemporary Culture
Reprinted by Corriere della Sera (2006) (retrieved on September 15, 2006).
See also Alberto Brambilla’s 2013 blogpost on the origins of L’Inferno di Topolino.
Patrons of Art, San Francisco, May 2007 (retrieved September 15, 2006)
Found at Alida Store and Oracle of Tarot
“You already have your summer getaway planned, but what about your permanent vacation? Given your options, Hell may be less temperate, but its hidden perks make it well worth the trip.” [. . .] –Michael Rottman, The Morning News, June 27, 2006
“The Divine Comedy is Neil Hannon. Over the years, the name has encompassed other musicians, but the driving force of the band and its main (sometimes only!) member has always been Neil Hannon. He chose the name ‘The Divine Comedy’ aged 18, almost at random. He and two Enniskillen school friends needed a new name for their band and Neil spotted a copy of Dante’s epic poem on the family bookshelf. It stuck, and a year later it was the name under which the trio signed to Irish run indie Setanta Records. They left Northern Ireland, moved into a squat in London, released a mini-album, 1990’s REM/Ride influenced ‘Fanfare for the Comic Muse’ and ’91’s ‘Europop’ E.P. then split up. Neil’s bandmates went to university and Neil returned home.” —The Divine Comedy
All submissions will be considered for posting. Bibliographic references and scholarly essays are also welcome for consideration.
Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.